Hirad Sab
@hiradsab
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CTO @fuserstudio — 18hr mandatory screen time, 6hr optional — self-regulated baiter — em-dash authority
LA, CA
Joined March 2012
<FuserEpilogue/>
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90% of vcs only bet on risk-minimal incremental innovations of existing trends. with Fuser, almost every vc said "comfy has dominated", "consumer has no appetite". now that the market is saturated, they've all become vocal node connoisseurs :))
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When AI turned the creative process into a network problem, graphs came to our rescue. Full essay: https://t.co/foI084uuik Building this at @fuserstudio, also we're hiring! DM if you want in.
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Back to Sutherland's thesis "A Man-Machine Graphical Communication System" Not a drawing tool, but a COMMUNICATION PROTOCOL between: → Human spatial reasoning (graphs, flows, networks) → Machine logic (inscrutable, distributed, opaque) 60 years later, we're dealing with a
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These are moodboards that EXECUTE. Old: Pin inspiration, then figure out how to make them New: The inspiration IS the machine that makes it Sharing your canvas = sharing your result + the exact recipe + parametric control The plan and the factory collapse into one object.
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Node canvases aren't eye candy—they're cognitive scaffolding. Code forces you to hold complexity in your head: Load image → call API X → parse JSON → call API Y Canvases let you SEE it: [Image] → [Generate] → [Upscale] → [Export] Your visual cortex does the work your
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For so long, creative software was self-contained. Photoshop lived on YOUR machine. One app. One binary. Comprehensible (in theory). Then AI inverted everything: → Computation on GPU farms you'll never see → Models are opaque (billions of parameters) → Each does ONE thing
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In 1963, a grad student at MIT invented the node-based canvas. In 2024, every major creative platform is DESPERATELY racing to ship one. ComfyUI workflows go viral on Reddit. Figma paid $200M for a startup doing this. Adobe just launched their own. What took 60 years? 🧵
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Jon Rafman presented a decade-spanning compilation of his work, tracing how internet culture, artificial intelligence, and the collective digital unconscious shape contemporary experience. Through his signature lens, Rafman reflected on the poetry, irony, and disquiet that emerge
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We present MotionStream — real-time, long-duration video generation that you can interactively control just by dragging your mouse. All videos here are raw, real-time screen captures without any post-processing. Model runs on a single H100 at 29 FPS and 0.4s latency.
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the first line of code i wrote for @fuserstudio was actually our logo... trying to get metaballs working performantly using some neat SVG tricks. brand/identity has always been top of our minds. @ayushsoni_io took it the next level case study: https://t.co/5cv2GdfYEv
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“Demo and Spectacle” Artist and creative technologist Tina Tarighian presents AI experiments from her dual life at work and at play — projects that blur the line between prototype and performance, function and art. Her work explores code, AI, and interface as creative material,
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replacing the entire pipeline is a pipe dream. best tools fit neatly within your existing workflows with minimal disruption
Perfect example of how to design and generate a spoooooky 3D alien in Fuser with Aljoscha Burtchen @ hdgdl_xyz on IG 👽 Fuser > Mixamo > Blender Character Design in Fuser using Flux Kontext, Recraft Upscale, Claude, and Rodin, rigging of 3D mesh from Fuser inside Mixamo,
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imagine you can just plug in a bunch of boxes together and suddenly arrive at something between what you had aimed for, and something that surprised you 1-2: blender & houdini (2022) 2-4: fuser (2025) fuser workflow: https://t.co/sdp32E6hRH
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