harmonybench
@harmonybench
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Assoc. Prof. Ohio State. screendance, digital humanities, performance studies. https://t.co/9w0zbbQF8P https://t.co/MrLEZuZXwE
Joined October 2008
Excited that @TiaMoniqueUzor's essay “Tidalectic Un/mapping and the Performance of African Diasporic Imagination in the Repertory of Katherine Dunham” has been shortlisted for the Lynette Goddard Award for Research Excellence! https://t.co/YfcbiLhN4x
@somethingmodern #DunhamsData
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Thanks to #ReviewsInDH for including #DunhamsData in the most recent issue! And thanks to Sydney Skybetter for the review!
@jimccasey1 * Dunham's Data, a data curation and visualization project on dancer Katherine Dunham, led by Kate Elswit and Harmony Bench, and reviewed by Sydney Skybetter https://t.co/2fpDsYyHe2
#ReviewsInDH @somethingmodern @harmonybench @mavillard @TiaMoniqueUzor
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Excited that my conversation « La danse n’est pas une image ». Repenser nos méthodologies à l’ère des réseaux sociaux with Elina Djebbari, Mahalia Lassibille, and Laura Steil is now online open access!:
journals.openedition.org
Harmony Bench fait des recherches sur les pratiques, performances et circulations de la danse dans le contexte des médias numériques et des écrans. Elle est professeure associée de danse à l’Univer...
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📢 Excited to announce Session 3 of our Early Career Mentorship Programme! 🎯 Topic: Your First Book Proposal & the Publication Process 📚 Led by Dr. Melissa Blanco Borelli 🗓 14 Jan 2025 | ⏰ 17:30–19:00 GMT | 💻 Free online event 🔗 Register ➡️ https://t.co/eeEeVBwtSA
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Excited that my interview of @TiaMoniqueUzor about her film The Noise My Leaves Make is now online with the International Journal of Screendance. https://t.co/DEp8Tx7Aik
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Tomorrow: Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives. 10/30 at 5pm ET (online) @MHS_Research Digital History Seminar with @somethingmodern and @profwernimont responding. Register:
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Radical Accounting Visualizations open at the Whitney Museum of American Art https://t.co/0Hm9bA8fqN
@harmonybench
dance.osu.edu
Ohio State Associate Professor of Dance Harmony Bench and collaborator Kate Elswit, Professor of Performance and Technology at the Royal Central School of Speech and Drama (University of London),...
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"The three animations of visualized data charting Ailey’s impact on dance throughout time and space are an unexpected delight. [...] The animations are fascinating, quite beautiful and worth a view." @somethingmodern
observer.com
Don’t miss the accompanying performance series with a lineup that includes Trajal Harrell, Ralph Lemon, Kevin Beasley and Sarah Michelson.
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Join us for a virtual seminar in our #DigitalHistory series on Wed, 30 October, @ 5:00 pm (EDT). @harmonybench & @somethingmodern present, "Digital Histories of Alvin Ailey American #DanceTheater: Radical Accounting in Dance's Archives." Register here: https://t.co/a9kHyVOJwj
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Excited to present work in progress at the @MHS1791 Digital History Seminar with @somethingmodern on 10/30 at 5pm ET (online). @profwernimont responding. Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives.
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In addition to funding from the Whitney, we received further support from @ahrcpress, @CSSDLondon, @ArtsTheme, and @ASCatOSU. Full info and credits on the Moving Data Studio website:
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And it helps us understand the importance of Alvin Ailey not only as a choreographer but also as someone who shared a living history of dance with audiences around the world. Radical Accounting develops the model that we established during #dunhamsdata for museum publics.
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The series traces the retention and transmission of embodied knowledge across generations of dancers. It particularizes how the AAADT grew from a small touring company to a global phenomenon.
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Based on manually curated datasets, the Radical Accounting series transforms archival materials to visualize the interconnections of time, space, and bodies across the history of The Alvin Ailey American Dance Theater.
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This commission emerged over the past three years in conversation with curator Adrienne Edwards. We are so grateful for her vision. We also thank core project team members, @mavillard and @TiaMoniqueUzor.
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It has been a couple of weeks since Edges of Ailey opened at @whitneymuseum
https://t.co/3ej4NJRgYR.
@somethingmodern and I are so excited about our Radical Accounting series of dance data visualizations being included in this beautiful exhibition, open thru February 9, 2025.
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Excited to present work in progress at the @MHS1791 Digital History Seminar with @somethingmodern on 10/30 at 5pm ET (online). @profwernimont responding. Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives.
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This work features Master Dunham Technique Teacher Rachel Tavernier and Certified Dunham Technique Teacher Celia Benvenutti, and was especially supported by Vita Berezina-Blackburn at ACCAD Motion Lab. Full credits in the post.
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Happy to share a new post and reel from @nicolaplant breaking down dance motion data research for #VisceralHistories with myself, @somethingmodern and @TiaMoniqueUzor
https://t.co/pqnuGgbk9K
@osudance @cssd_research @ahrcpress
visceralhistories.wordpress.com
by Nicola Plant One ongoing strand of this project has been using 3D movement data visualisation to communicate how dance movement evolves and is passed down through the bodies of generations of da…
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