FETCH London
@fetch_london
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The thinking woman's art journal. An intricate look at London's contemporary arts & culture scene.
London, England
Joined January 2019
“In order for any artist to create their own artistic legacies, it becomes necessary for an artist to create their own myths.” Zoë Goetzmann reviews an early press preview of Anselm Kiefer’s.Early Works at @AshmoleanMuseum.
fetch.london
"If we don't remember what we have done, we will do the same thing again.”— Anselm KieferSuch a quote encapsulates the Anselm Kiefer: Early Works exhibition at The Ashmolean, Oxford, on show until...
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"In a world where the gallery space has long imposed silent boundaries and visual hierarchies, An Awkward Relation invites us to reconsider the transformative power of touch," writes Flora Guildford
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Instead of the gallery being a place of observation and a one-way communication from artist to those experiencing their work, it becomes a place of mutual exchange, writes Flora Guildford.It can be...
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"Often veering into Gothic realms with her hauntingly beautiful visuals and concepts, Isabella instantly flew onto our radar as one to watch," writes Raegan Rubin
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"I’m still a kid inside, and have not wavered from my childhood tastes and ideas,” says Isabella Josephine Leon, the up-and-coming director of mixed Native American and Mexican heritage. A recent...
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HONEYED VIOLENCE: DISCOMFORT, DESIRE, AND A BIT OF PSYCHOANALYSIS explores the "tension between tenderness and harm," writes Arina Baburskova
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What do disembodied tongues stacked on a pike, an ASMR-whisper story of a date with an octopus girl and edible installation have in common? At first glance, perhaps, not much - pulled out of their...
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"This is a show that feels deeply feminist - not in a slogan-splashed-across-a-T-shirt way, but in its unwavering dedication to unveiling the gore of self-discovery," writes Ruby Mitchell.
fetch.london
This is a show that feels deeply feminist - not in a slogan-splashed-across-a-T-shirt way, but in its dedication to unveiling the gore of
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The Best Portraits of Frieze Masters 2024: "This year’s fair showcased a remarkable selection of portraits that break away from conventional portraiture colloquiums," writes Avantika Pathania.
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This year’s fair showcased a remarkable selection of portraits that break away from conventional portraiture colloquiums, writes Avantika Pa
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FRIEZE 2024: "The best and the worst of this year's Frieze show just how delicate the balance between curatorial excellence and art market demands are," writes Victoria Comstock-Kershaw.
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The best and the worst of this year's Frieze show just how delicate the balance between curatorial excellence and art market demands are, writes Victoria Comstock-Kershaw.Palace Enterprise, Frieze...
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"The 40 outfits adorned with delicate fabric orchids and inspired by the natural colour palette of the flowers themselves – white, pink, and purple – therefore evoked a sense of something far greater than fashion." writes Daisy Culleton.
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Marking his 3rd physical appearance at London Fashion Week, Vietnamese designer Trần Hùng showcased the first glimpses of his Spring/Summer 2025 collection Orchids & Love for the Environment at the...
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Yukhnovich’s art reminds us that the Rococo was never just about superficial ornamentation - it was, and still is, a rich language of excess, fantasy, and defiance. writes Ruby Mitchell below:
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Standing before its balustraded doric portico of Hertford House, you could easily be convinced you’d abandoned the present day for the delicious abundance of the eighteenth century. Ascending the...
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"Sultry, raunchy, and nail-bitingly agitated, To Watch a Man Eat serves as an eye opener to our complicated class system, and the need to stray away from its moulds." writes Flora Guildford on Full Frontal Theatre's latest production.
fetch.london
Sultry, raunchy, and nail-bitingly agitated, the female-led powerhouse of Full Frontal Theatre's To Watch a Man Eat is a salivatingly tense depiction of our complicated class system and the need to...
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"Spell ultimately invites spectators on a journey that cannot be missed— one overflowing and bursting with delightful trickery and insightful deception." writes Daisy Culleton on John Stezaker’s small-format collages at The Approach.
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John Stezaker’s cutting-edge collection of small-format collages at The Approach is a love letter to the artist and gallery's 20-year working relationship, writes Daisy Culleton.Installation shots...
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"What is vitality? It is something that makes you think, ‘Oh, life is worth living again,’ despite of the difficulties and whatever happens in your life." says gallery director Chili Hawes. Joanna Metodieva writes on Vital Force below: .
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Vital Force at October Gallery offers a deliberate reflection on how contemporary art engages with cross-cultural and global conversations. writes Joanna MetodievaInstallation shots courtesy of...
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Makiko transforms ordinary female “tools” into “weapons,” the artist explains. Harris explores the notions of “identity, femininity and the ideas of belonging," writes Zoe Goeztmann on MAKIKO HARRIS'S 'LACQUERED REBELLION' at Kristin Hjellegjerde Gallery.
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Zoe Goeztmann in conversation with Makiko Harris about her latest exhibition, Lacquered Rebellion, at Kristin Hjellegjerde Gallery.
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"Everything Flows" according to philosopher Heraclitus. The artists in 'Panta Rhei' at Alice Amati delve into the question of how we can come to terms with our existence in a world characterised by perpetual change, writes Avantika Pathania.
fetch.london
Sophie Birch, Merve Ceylan, Sam Creasey, Rike Droescher, J.A Feng, Harry Grundy, Minami Kobayashi, and Nicholas Marschner delve into the question of how we can come to terms with our existence in a...
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On the appeal of Vietnamese avant-garde cinema: critic Agnès Houghton-Boyle Houghton Boyle reviews the playful, independent post-lockdown films of the Saigon Experimental Film Festival, curated by Phạm Nguyễn Anh Tú at SET Social.
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Agnès Houghton-Boyle reviews the playful, independent post-lockdown films of the Saigon Experimental Film Festival, curated by Phạm Nguyễn Anh Tú. The Saigon Experimental Film Festival has establis...
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"It hit me not with a gut punch, but with a subtle, persistent nudge, reminding me that art doesn’t always have to scream to be heard. Sometimes it just needs to make you feel a little bit uncomfortable.". Riddhi Dasgupta reviews Holding Spaces at Belmacz.
fetch.london
"It hit me, not with a gut punch, but with a subtle, persistent nudge, reminding me that art doesn’t always have to scream to be heard. Sometimes, it just needs to make you feel a little bit uncomf...
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RT @sh_studios_: Somerset House Studios Director @MarieMcPartlin talks with @fetch_london about developing and nurturing artists and making….
fetch.london
Photography courtesy of Sugar Factory PRIn a world where pursuing a career as an artist can feel increasingly elusive, particularly for those from working-class backgrounds, there is a prevailing...
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Fetch interviews Japanese artist Miwa Komatsu ahead of her live painting at Fitzrovia Chapel, presented by @avant_arte.
fetch.london
Spirituality in contemporary art is having a major moment: from Harminder Judge's A Ghost Dance at Matt's Gallery to Mohammed Z. Rahman’s A Flame is a Petal at Phillida Reid, the resurgence of...
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"Nadia Albina leads a terrific cast in a nuanced examination of language's impact on identity in the RSC’s European premiere of Sanaz Toossi’s Pulitzer Prize-winning play," writes Tom Monahan.
fetch.london
Nadia Albina leads a terrific cast in a nuanced examination of language's impact on identity in the RSC’s European premiere of Sanaz Toossi’s Pulitzer Prize-winning play. writes Tom Monahan.Photogr...
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