As we move into the new year, I wanted to extend our warmest greetings and heartfelt gratitude for an extraordinary 2025. 🧵A THREAD🧵 Let's all celebrate with a drinks reception with Nicolas Sassoon closing his current solo show in London on 10 January 2026, 6-8pm ON VIEW:

💐happy valentines day everyone💐 remember to send someone flowers via https://t.co/ywaIDd1R5u

we run out of washing detergent

Zero 10 is coming to Hong Kong. Art Basel, March 25-29. A curated space for art of the digital era. An expanded space within the main fair. Over 12,000 sq feet showing robotics, painting, sculpture, generative, ai-based and interactive works. New work from: @nguyenwahed:

Honestly this is sooooo cool Every single day a homepage of a major new media art museum in Switzerland is showing one work by Leander Herzog from the last 10 years in real-time generated from code as you see One doesn’t need to go to Basel and take that tram to see his

It’s been years since I published any scientific paper. Last year, we published a new study on AI and dementia with my student. She presented the paper at the IASDR 25 Design Research Society conference in Taiwan… whilst I was installing a booth with xcopy washing machines, Kim

new code

building a new networked art experiment: Observations.sol inspired by @SamSpratt's The Monument Game onchain, permissionless, free, on Ethereum. open source frontend components anyone can plug into their own websites/galleries.

The show before & the show now on view

same old pxl

Honestly this is sooooo cool Every single day a homepage of a major new media art museum in Switzerland is showing one work by Leander Herzog from the last 10 years in real-time generated from code as you see One doesn’t need to go to Basel and take that tram to see his

The show before & the show now on view

TRANSFER Download: AliveNET with Chia Amisola, Leo Castañeda, Carla Gannis, Huntrezz Janos & Antigoni Tsagkaropoulou, Fabiola Larios, Rosa Menkman, Lorna Mills, Eva Papamargariti, Yoshi Sodeoka On view in New York

Splitter, 2019 https://t.co/1jSzQ667b1

At maximum abstraction every digital artwork resolves into pixels. Token can be both a vessel and a pixel-substance flowing from one artwork to another. PXL DEX by @kimasendorf dissolves familiar boundaries and opens a new dimension for how art can live and evolve. Fascinating.

A truly grim and powerful installation. A soundscape of war, recreated by its witnesses, re-enacted by visitors to the exhibition. "Repeat After Me II" is very much worth a visit if you're in London. It'll stay with me for a long while. Learn more 👇 https://t.co/dZJ65AHP4L

Introducing this show made everyone’s voice break. Two years ago when I saw the installation in Venice biennale I didn’t think the war will still be going on when it arrives to the gallery. On the 1444th day of the war we had opened this harrowing installation at Nguyen Wahed,

This is an incredibly powerful installation. Seen in NY at 601 artspace. Congratulations and thank you Mimi for exhibiting it

Introducing this show made everyone’s voice break. Two years ago when I saw the installation in Venice biennale I didn’t think the war will still be going on when it arrives to the gallery. On the 1444th day of the war we had opened this harrowing installation at Nguyen Wahed,

@miminguyenmimi Mimi just never quite Nine months pregnant is just feature not a bug This is how we build

Opening karaoke tonight in London Repeat After Me II - a two-channel video installation, which was presented in the Polish Pavilion at Venice Biennale in 2024. It features civilian refugees who recount their experiences of war through remembered weapon sounds – they imitate