https://t.co/pY6AaFCVKl All right, guys, here's my Patreon!

365 Days of Tunes - 291/365: https://t.co/EpviSnGIEU Spike and Chester from 1952’s TREE FOR TWO reappear in Friz Freleng’s DR. JERKYL’S HIDE (’54). In it, the two chase Sylvester into Dr. Jerkyl’s laboratory, where he drinks a potion that turns him into a tall, raging wildcat.

Mom, you can't get a job! The last time you left Dad home alone, he turned the house into a giant puppet.

365 Days of Tunes - 290/365: https://t.co/JETlbc45GZ CLAWS FOR ALARM (’54), the second of Chuck Jones’s horror comedies with Porky and Sylvester, takes place at an abandoned hotel infested with homicidal mice.

365 Days of Tunes - 289/365: https://t.co/ZDIb8xpbLw In Chuck Jones’s BEWITCHED BUNNY (’54), Bugs rescues Hansel and Gretel from the clutches of Witch Hazel (Bea Benaderet) and places himself in jeopardy.

Smiling Friends Sakuga

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365 Days of Tunes - 288/365: https://t.co/sXFqrSbkDz In 1952’s THE SUPER SNOOPER, Bob McKimson and writer Tedd Pierce put Daffy in the role of Duck Drake, Private Eye. In it, Daffy investigates a murder involving a “se-duck-tress” (voiced by Grace Lenard) in a plush mansion.

365 Days of Tunes - 287/365: https://t.co/uvjJzjXlYr In Chuck Jones’s WATER, WATER EVERY HARE (’52), Bugs is washed away by a flood and finds himself in the castle of an evil scientist (voiced by John T. Smith), who wants to transplant his brain into a giant mechanical robot.

365 Days of Tunes - 286/365: https://t.co/SarrqNgnlX In Bob McKimson's THE PRIZE PEST ('51), Porky wins Daffy Duck as a grand prize on a radio program. The duck claims to have a Jekyll/Hyde split personality, where he turns into a vicious monster when mistreated.

365 Days of Tunes - 285/365: https://t.co/btQ44Cf4US In Chuck Jones’s THE HYPO-CHONDRI CAT (’50), Hubie and Bertie use their psychological head games to convince the neurotic and hypochondriac Claude Cat that he has a serious illness to eject him from their newfound home.

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365 Days of Tunes - 284/365: https://t.co/e32BJAUEG5 In Friz Freleng’s THE LION’S BUSY (’50), Beaky Buzzard informs birthday boy Leo the Lion that his kind rarely live beyond ten years of age, and the buzzard can hardly wait for the lion to expire.

Guillermo del Toro and Netflix are co-founding a new stop-motion studio 🎥 • It will serve as both a studio and a school, giving artists the chance to learn and push the boundaries of stop-motion craft • They're also now developing his next project after 'Pinocchio' “In an

Bill Tytla!

I just discovered that one of the silent Kokos I restored, THE BATTLE ('23), played at the Pordenone Silent Film Festival in Italy. Wonderful! (1st pic is a frame from that title.)

Awesome!

365 Days of Tunes - 283/365: https://t.co/SdelJNM9M2 In BYE, BYE BLUEBEARD (’49), the last cartoon from the Art Davis unit, a radio bulletin about the escaped homicidal maniac Bluebeard terrifies Porky, so a food-obsessed mouse uses it to his advantage.

365 Days of Tunes - 282/365: https://t.co/KHzVS3mFGQ SCAREDY CAT (’48), the first of Chuck’s horror-comedy trilogy with Porky and Sylvester, has the pair spending the night in an old, eerie house, inhabited by a murderous lot of mice.

Eye-popping footage of Disney's Ink & Paint Department in 1941.

365 Days of Tunes - 281/365: https://t.co/PIvnZdK1cq In THE GREAT PIGGY BANK ROBBERY (’46), considered Bob Clampett’s magnum opus, comic-book maniac Daffy Duck knocks himself out in his excitement over the latest issue of Dick Tracy and dreams he’s “Duck Twacy."