The value of an asset today is the present value of future discounted cash flows. The discount rate is the meme.

It will be ironic when my CT fren's shorts get liquidated by my normie now-bullish friends.

Only 3 in 10 Veterans know about 0% down home loans. Join our mission to help veterans find their way home.

🖼️ 24 HOURS OF ART 📊 November 14, 2025 ♻️ Pseudo-Quine to PellaCollection ‘Quine’ by @larvalabs leads the day with 7 sales for 63.44 ETH in total, pushing the collection’s lowest list to 5.74 ETH. The highlight is ‘Quine #12’ being acquired for 35 ETH (~$112,000 USD) by the

If you feel down because of price, buy some art. +1 Interwoven by @emilyxxie

gm and bd 🤠 This is a great post from @dapppunk on @OmarZRobles City Hats photography collection. It touches on so many aspects and reminds me of just how early we still are in this space, take a moment to read, it's good. Mint your Hats on @opensea and share those mints.

https://t.co/rVe0iiJPGt

I knew @OmarZRobles had both the quantity and quality of images in his body of work to do something like City Hats. Omar is not only OG in NFTs, but is also an OG photographer highly recognized outside the space. His dance work is legendary, and he ranks amongst the best street

Can’t beat them? Autopilot them.

In @light_artists we tried a hybrid as well pushing the size to 200 very high-quality pieces. But ultimately it was received as a collection of 1/1s that unfortunately did not end up being greater than the sum of its parts in the eyes of the market. (still one of the best

We also tried sizeable collections by bringing together multiple artist with different styles. These collections were not cohesive enough to really feel like a single collection. One example was @obscuradao The World Today

Large editions were presented as a solution to onboarding collectors in size. They can work well, but ultimately they are fungible and burn mechanics can make them feel more like coins than art. I still personally miss collecting unique pieces. Sicilian Kiss by @GuidoDisalle

Very few artists and collections managed to hit the mark on the 1/1/x format in photography. Twin Flames by @justinaversano is one of the exceptions, but they were only 100 pieces not quite hitting that critical mass over time. Drip Drop by @dave_krugman is a 1/1/1000, but it

Generative art and PFPs can create 1000s of unique variations with a single click. But in photography, each NFT requires preparation, timing, travel, editing, etc. This is why most photographers that put out quality work mint 1/1s and the occasional edition Fidenza by

Make no mistake: it is REALLY hard to create photography NFT collections which are: 1. Large - At least 1000+ piece to support a community of collectors and liquidity 2. Cohesive - you can look at one and immediately recognize the collection 3. Unique - each piece is unique

Hear me out: City Hats by @OmarZRobles is the first unique and cohesive 1/1/1000 collection in photography NFTs. Why you should pay attention and mint. 🧵👇 (disclosure: I minted and will be minting more still)

We love the hats

Bullish

Must have a 3x3 grid

Honored for the immense support from the @OpenSea team. Take a moment to read this note and learn more about my artistic trajectory as well as the vision behind City Hats! Chapeau! 🎩🎩🎩

Good. Instead of flooring NFTs people can now buy NFTs...

City Hats by @OmarZRobles is minting now More on this later, but these are setting a new high bar for photography NFT collections

We're entering the collectors' era. The days of fake speculation are dead, and performative pumping based on announcements are also dead. That unsustainable bullshit is finally gone. Don't get me wrong, we're still going to see crazy NFT mints and volatility across new chains