Aaron Long
@aalong64
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Following
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Canadian cartoon/music guy. I make an indie series called Sublo and Tangy Mustard. Also director on Tuca & Bertie, Bojack, a bunch of other stuff
Toronto
Joined May 2012
please watch my indie cartoon series Sublo and Tangy Mustard, here's all the episodes in a playlist
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time to crank some podcasts, this evening I'm cleaning up and in-betweening a long-ass Sublo and Tangy Mustard driving scene
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RT @WrandomWriot: @aalong64 It’s crazy how many things feel like the knock-off version of themselves now.
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when a company announces they're going to start using Al in their products all I hear is "our stuff is about to get noticeably shittier, but you should be excited because it'll be cheaper for us".
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I've said it before and I'll say it again. so many people are so stupid and you're just supposed to pretend you don't notice.
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the new Sublo and Tangy Mustard ep is coming along slowly but surely. I'll have a more substantial update soon. man I love animating these characters!
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my muted words list is like a time capsule of what animation nerds wouldn't shut up about over the last few years
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fucking hell I should have muted the word Spongebob on here years ago.
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should note this walk cycle is mostly not visible onscreen but I wanted to share it since I stupidly animated the whole thing.
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a guy in the next Sublo and Tangy Mustard episode named Tank Smeglyn
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RT @Sad_Pho: i voice "night shift charlie" in aaron long's @aalong64 "sublo and tangy mustard" series on @Newgrounds 🤪 .
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wrote way too much about the unreleased Disney documentary The Sweatbox
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RT @BreeNewsome: So AI is totally unsustainable but we’re pushing for it to replace as much infrastructure as possible anyway.
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Watched the Lupin Albatross episode again. One of the best cartoons ever. Young Miyazaki, working with Yasuo Otsuka, is unbeatable at action-comedy. The interplay between story, shot flow & animation is magic. All the action is impossible but you buy it cause of the performances.
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I just read vol. 2 of Taiyou Matsumoto's Tokyo These Days (manga about manga artists & editors). I like that it's about mid-career struggles rather than the more common "hotshot kids trying to get their big break." Reminds me of Yeong shin-Ma's ARTIST although more subdued.
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oops forgot to post the link to the story, man Pixar really has no idea what they're doing or what they're supposed to be at this point huh
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