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@_anniegeng
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A family is facing an unimaginable loss after the passing of James Ransone. They need our support to help Jamie and their children, Jack and Violet, find stability and love during this difficult time. Please consider donating or sharing to help them heal and rebuild. Every
gofundme.com
On Friday, December 19th, we lost James Ransone—beloved husband, fathe… camille garmendia needs your support for Supporting Jamie, Jack, and Violet After Loss
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“I once clung to this young rock-and-roll dream of dying young and leaving a beautiful corpse behind, but then I was too old for that shit—it was time to cut the bullshit, stop the hard living, go get Botox, and pray for the fucking best.” … brontez! <3
“I miss absolutely nothing about being young—internally, I know I was meant to be an old man—but goddamn if I know how I am going to get there in one piece.” A new story from Brontez Purnell. https://t.co/UwZrrGrMaD
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even lovelier to be alongside my friend, shreya. thank you, shreya, and thank you as well, tarpley!
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lovely to be briefly here on Queer…!
Before the Academy Awards this Sunday, read our new Mentions special package: eighteen extremely abbreviated reviews of Oscars films, nominated or snubbed. https://t.co/VUAnlByhdR
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i’m often thinking about hands — this time, in Eliza Hittman’s films, and for @mubinotebook
mubi.com
Where in our bodies does shame live? Somewhere in our skin, perhaps.
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Annie Geng @_anniegeng on Theo Montoya's Anhell69 (2022) and its radical queer vision of community, resistance and mourning. Showing @MayslesCinema tomorrow https://t.co/U20FrI8eQC
ultradogme.com
Annie Geng on Theo Montoya's Anhell69 (2022) and its radical queer vision of community, resistance and mourning.
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some thoughts on The Beast, reenactment, beauty, fear, even Maria Schneider, all for @mubinotebook
mubi.com
In adapting Henry James, Bertrand Bonello lets love go cold.
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https://t.co/u7VV8iKPga A conversation on mutual obsessions and AJ’s new work
latimes.com
With two upcoming shows, one at Gladstone Gallery and another at 52 Walker, Jafa reflects on what it means to get a big break as an artist.
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i was twenty-five, i was twenty-six, i was twenty-seven, i was twenty-eight
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“BE REALISTIC, DEMAND THE IMPOSSIBLE: Cinema, Surrealism, Marxism” my next series @BAMfilmBrooklyn Nov. 10-16 Cinematic responses to the upheavals of the 60s and 70s, these works from both the anti-colonial Third World and European left reanimate an urgent political imagination.
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Wrote about Jacqueline Rose + her beautiful, capacious mind
newyorker.com
Enlisting Freud and feminism, she reveals the hidden currents in poetry and politics alike.
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The Paris Review has published an excerpt from my forthcoming memoir, Molly; this section in particular taken from the opening which describes my experience of the day she died. I had to deliberate whether I wanted this online and I decided I did. Please read with care.
“I tried to take a knee and instead fell on all fours, no longer screaming but just wailing, for her, for Mom, for God … as meanwhile the white-hot silent sun above us burned, an open all-unseeing eye.” Read an excerpt from Molly by @blakebutler. https://t.co/NxOsaFFKFv
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mary gaitskill, the greatest
newyorker.com
“I still don’t know why I did what the lawyer said, or why I didn’t stand up and leave, or why I went back the next day.”
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