#DavidAltmejd: ‘Once the piece was finished, I could quite easily see each head as symbolising a moment in a life, so I thought of the serpent as being the symbol of a life.’. Watch the full film, where David explores his exhibition ‘The Serpent’, discussing the inspirations and

Coming Soon: ‘Inside the White Cube: Alex Carver’ at White Cube Seoul. Debuting a new body of work, 'Effigy' marks the artist’s first solo presentation in Asia and his first exhibition with the gallery as part of the ‘Inside the White Cube’ series. Taking inspiration from

Coming Soon: ‘#AntonyGormley: WITNESS: Early Lead Works’ at White Cube Mason’s Yard. Featuring a selection of Antony Gormley’s early lead sculptures from the mid-1970s to 90s, the exhibition showcases some of the most important works from the artist’s career. ‘WITNESS’ reveals

Born on this day: Lygia Pape ✨. A seminal figure in the Concrete art movement and a founding member of the Neo-Concrete movement, #LygiaPape (1927–2004) played a defining role in the development of contemporary art in Latin America. A solo exhibition of works by Pape was on

On View: ‘#BeatrizMilhazes: Rigor and Beauty’ at the @Guggenheim (until 7 September) ✨✨. ‘Rigor and Beauty’ brings together fifteen paintings and works on paper produced from 1995 to 2023, contextualising the narrative of Beatriz’s artistic evolution over almost thirty years.

‘Intimate Visions’ at #WhiteCube #Paris is on view until 10 May 2025. Curated by Clémande Burgevin Blachman and Mathieu Paris, the exhibition presents a collection of paintings, furniture and ceramics spanning over 150 years, bringing together works by contemporary figures and

On View: ‘Sara Flores. Non Nete. A Dream for an Indigenous Nation’ at the Museo de Arte de Lima (MALI). Marking Sara’s first institutional show and the first solo presentation by a Shipibo-Conibo artist at MALI, the exhibition showcases a new body of work inspired by the dream of

Last chance to visit #AliaAhmad ‘Fields / ميادين ’ at #WhiteCube #MasonsYard (until 5 April 2025) ✨. Alia’s responsive and embodied approach to painting explores how the medium of paint – unpredictable and at times resistant to control – can register the variations and

Closing Soon: Theaster Gates ‘1965: Malcolm in Winter: A Translation Exercise’ at #WhiteCube #Bermondsey. In the final week of the exhibition, we’re taking a look back at some of our favourite photos of the show. ‘1965: Malcolm in Winter: A Translation Exercise’ connects

In Focus: #DavidAltmejd’s ‘The Serpent’ (2025) at White Cube New York ✨🐍. Entering the first floor of the gallery, we are met with ‘The Serpent’, a monumental, winding serpent, composed of a chain of conjoined human heads, with its own head lifting to meet that of its conjurer,

On View: Christian Marclay’s ‘The Clock’ (2010) at Kunstmuseum Stuttgart (until 25 May 2025). 🕰️ ✨. ‘The Clock’ is a 24-hour video montage assembled from thousands of film and television clips featuring clocks and references to time. The work was awarded the Golden Lion at the

In Focus: #DanhVo ‘Untitled’ (2023) at @ArtBasel Hong Kong. The original 17th-century wooden figure, weathered from years in Danh Vo’s garden in Güldenhof, Germany, was cast and paired with a walnut bird feeder crafted by environmentalist Craig McNamara, the son of Robert

On View: Alia Ahmad ‘Fields / میادین ’ at White Cube Mason’s Yard (until 5 April 2025). The exhibition debuts a new body of work that deepens Alia’s dialogue with the Saudi terrain, tracing its environmental dichotomies alongside the fluid interdependencies of climate, landscape

Theaster Gates: ‘It was a space that I made so that the conversation of revolutionary thought could continue.’. ‘Malcolm’s Hut’ (2025) draws inspiration from traditional Japanese tea houses, a central social and ceremonial cornerstone of Japanese culture. Connecting

In Focus: Shao Fan, ‘Rabbit 1624’ (2024) at Art Basel Hong Kong (booth 1C23). Deeply rooted in Chinese cultural symbolism, the rabbit represents longevity, luck and intelligence, as well as linking to the moon and the mythical Jade Rabbit, a celestial figure believed to reside on

Now Open: ‘Lynne Drexler: The Seventies’ at White Cube Hong Kong (until 17 May 2025)✨. The exhibition debuts #LynneDrexler's 1970s works, which, hovering between landscape, still life and abstraction, engage with the debate on painting's representational unity. The artist’s

Now Open: White Cube at @ArtBasel Hong Kong. Highlights from #WhiteCube’s presentation at the fair include #TraceyEmin’s bronze sculpture ‘There was so much more of me’ (2019), #EnricoDavid’s ‘Fortress Shadow’ (2017), ‘East Winds’ (1984), an oil painting by South Korean artist

Hannah Gruy, curator of #MonaHatoum’s current solo exhibition at #WhiteCubeSeoul, introduces the artist’s poetic works, which engage the viewer in conflicting emotions of seduction and revulsion, fear and fascination. Watch the full film on White Cube’s YouTube Channel:

Just announced: #TraceyEmin's solo exhibition at @Tate Modern will open in February 2026!. Looking at how she uses the female body as a powerful tool to explore passion, pain and healing, the exhibition will demonstrate the artist's lifelong commitment to painting, showing her