"After a spaceship mistakenly travels back in time and crash-lands on medieval Earth, a group of astronauts struggle to survive a witch-hunt led by inquisition knights.". #UE5.

And just to throw another link in there, here’s why we made it

Made a thing with my friend for his debut album release . Here’s how we made it -

I’ve had a pleasure of directing the intro cinematic for Avowed, produced by my good friends at Hydra Studios. Massive shout out to the team at @Obsidian for having us along for the ride, and to the entire team at @HydraStudios3 for the fun times!.

Things have been getting out of hand over at #Patreon and the time was nigh for me to do a small update:) . Check it out if you're into those kinds of things. Patreon - Recap -

Massive thanks to a whole lot of talented and hard working people at Axis!. Executive Producer – Laura Yeo.Producer – Natasha Shetye.Art Director – Emrys Ryan.CGI supervisor – John Huikku.

It's a sad day for animation as @axisstudiosgrp , a place that meant a whole lot to me and many others, closes it's doors. To end this incredible journey with a bang, here's one of the last cinematics I've directed at Axis for Destiny 2: The Final Shape. What a ride it's been:)

Yet again, huge thanks to the entire team at Axis and Bungie!. Executive Producer – Laura Yeo.Producer – Johanna Knaapi.Art Directors – Milan Nikolic, Emrys Ryan.CGI supervisor – Kristian Jensen.

PLANE OF DARKNESS, another cinematic I had a pleasure of directing for The Final Shape at @axisstudiosgrp , this one lives absolutely rent free in my mind, for multiple reasons:) .

Again, massive shout out to the entire team at @axisstudiosgrp !. Executive Producer - Laura Yeo.Producer - Valeria Palamarchuk.Art Director - Emrys Ryan.CGI Supervisor - Ross Gilbert.

Here's another cinematic I've had a pleasure of directing for The Final Shape, titled LIGHT for rather obvious reasons if you're familiar with Destiny lore:).Dream sequences, neat scene transitions, foreboding undertones? Sign me up!.

My heartfelt thank you goes out to the entire Final Shape team at @axisstudiosgrp and to the team at Bungie for entrusting us with these unique stories!.

Over the course of last year I’ve had an absolute privilege and a pleasure to revisit the world of Destiny 2 and direct 4 more #cinematics for the conclusion of the epic space opera, The Final Shape. Today we start with TRAVELER VISION.

Some very exciting news regarding the production of Beckoning, summarized in this wonderful article by @animag .

I saw @TheBlurStudio do this a few years ago and I couldn't help myself. Was kinda shocked to see how many feet shots I've had in my work. It's not a Tarantino thing I swear.

Happy #Halloween, threw together this bloody edit for the occasion, not for the faint hearted, you've been warned:)

I'll be speaking about my filmmaking process at Kind Of Art this Friday 27th, at the Royal Danish Academy in Copenhagen. Absolutely stoked to see so many amazing artists and catch up with some familiar faces:) .

A more detailed project dump can be found on Behance, cheers!.

An incredible feat of teamwork and artistry displayed across the departments, massive congratulations to the entire team for their hard work and dedication in bringing the latest and greatest in Destiny 2 storytelling to life!.

And finishing up with the cliffhanger ending sequence.

Continuing with a much more contained and intimate confrontation scene, a stark contrast to the previous epic space battle between gods:)