#AfterTheHunt is a return to the mainstream for cinematographer Malik Hassan Sayeed, marking the first fiction feature he has shot since 'Belly' (1998), directed by Hype Williams. Sayeed has shot films with Spike Lee and Michael Jackson, directed Prince, and began his career on

‘Santosh’ Censorship Hurdles In India Continue As Planned Streaming Release Paused, Director Sandhya Suri Reacts: “My Wish Is For The Film To Be Distributed Legitimately & Uncut”

Lucrecia Martel On The Decades-Long Journey Behind ‘Landmarks’, Her Political Documentary On The Fight To Protect Argentina’s Indigenous Communities + First Look Clip

With his unique brand of elusive, analog filmmaking, Cornish writer-director Mark Jenkin has cultivated a devoted band of followers, none more loyal than those who work with him. 'Rose Of Nevada,' the latest feature from Jenkin, debuts this afternoon in the Orizzonti

Matthew Libatique On The Secrets Behind Shooting ‘Highest 2 Lowest’ Across New York City With “Fearless” Spike Lee: “Spike Is Down For Anything”

“We are all about celebrating Canada right now.” Ahead of today’s #TIFF50 World Premieres announcement, TIFF CEO Cameron Bailey and Chandler Levack spoke with @DEADLINE about the Festival’s focus on Canadian cinema, including Levack’s MILE END KICKS.

Jessie Maple Estate Talk ‘Will’ 4K Release & How The Filmmaker’s Independent Harlem Cinema Launched The Work Of Directors Like Spike Lee & Carlos Diegues https://t.co/0b3KKlSA1M

‘The Ballad of Suzanne Césaire’ Begins Theatrical Run Today In NYC, Filmmaker Madeleine Hunt-Ehrlich Breaks Down How She Crafted The Buzzy Feature �� The Deadline Q&A

EXCLUSIVE: T A P E Collective has acquired UK rights to 'The Ballad of Suzanne Césaire', the feature debut from visual artist and filmmaker Madeleine Hunt-Ehrlich, and will release the film in cinemas from July 18th

Janus Sets Theatrical Release For 4K Restoration Of Jessie Maple's Debut Feature ‘Will’ 

There's been a lot of chatter about $60 million+ opening for SINNERS shouldn't be celebrated cause it was made for $90 million. I'm here to tell ya that's madness. Some words on how WB pulled off the movie's big weekend by making it feel like an event

We mourn the loss of a literary giant, a voice of Brixton, & a champion of Black British culture, Alex Wheatle MBE. As a cherished champion & friend of BCA, we send our heartfelt condolences to his friends, family and community at large.    Rest in Power to our Brixton Bard.

Zeinabu Irene Davis On The 25-Year Journey To Release ‘Compensation’ & How The LA Rebellion Lives On Through Filmmakers Like RaMell Ross

Kahlil Joseph & James Shani Talk 'BLKNWS: Terms & Conditions', Why Rich Spirit Acquired The Film From Participant & Plans For A Wide ...

Dede Gardner And Jeremy Kleiner On Taking A Risk With ‘Nickel Boys’, Creating An Artistic & Political Identity At Plan B & Brad Pitt's "Mighty" Racing Movie ...

In preparation for today’s Super Bowl, state police forced over 100 homeless men and women onto buses under threat of arrest, dumping them in a freezing warehouse. Tents destroyed, belongings lost. Press are barred from the site. The price tag for this cruelty? $17.5 million

Thanks to @riocinema @ZacJNtim @ramellross for a brilliant Q&A following a preview of the extraordinary & unique @NickelBoysMovie! @OrionPictures @AmazonMGMStudio @DEADLINE #NickelBoys

Luna Carmoon On The Battle Of Producing Her Debut ‘Hoard’, Being “Ghosted” By Film Four & Why She Will Never Trade The UK For Hollywood: "I'm Not Interested In Americana"

John David Washington On ‘The Piano Lesson’, A Unique Achievement With Christopher Nolan & The Play He Would Most Like To Tackle Next

Payal Kapadia On Her Buzzy Awards Title ‘All We Imagine As Light’, India’s Controversial Oscars Committee & Plans For Her Next Feature