🔴📰 A new issue of TM Broadcast International is now available! We are releasing a new issue featuring several exclusive stories: DTT on mobile, a reflexion of the broadcast industry with eight industry leaders, Cybersecurity, Craig Heffernan, and @BitamShow 🔗 Check it out

🔴📈 TM BROADCAST achieves a historic audience record in 2025 after growing its readership by 202%. These figures firmly establish TM BROADCAST INTERNATIONAL as a key media outlet in the broadcast and audiovisual production sector, as well as a reference guide for the industry’s

🔴 Mike Blackman on ISE’s future: a waiting list and a new temporary structure for 2027 “We’ll be completely sold out for the 2026 show,” anticipates the Managing Director of Integrated Systems Events in this new instalment of Industry Voices in TM BROADCAST ✍️ Daniel Esparza

🛠️ @Avid releases new Pro Tools for Artist, Studio and Ultimate customers Introduces new mixing support with the UHD World Association’s (UWA) Audio Vivid, enhanced SoundFlow functionality with built-in Bounce Factory Lite, and new Inner Circle rewards https://t.co/U4zF1cqieE

🤝 NDI partners with @Zoom to bring connectivity to meeting and event spaces This integration supports multi-camera and multi-display setups, with the intention of making it easy to implement AV-over-IP workflows https://t.co/0AywkHFBhf

🎙️ Riedel provides communication and commentary network for 15th National Games of China Over the 30-day event, the system coordinates 56 broadcasting teams and 39 ultra-high-definition productions https://t.co/2rdt5PeAqA

‼️📽️ @ParamountNetESP and @netflix vie for @wbd 's favor after the Board recommendation 📌 Paramount affirms that is “highly confident” offer would receive timely regulatory approval because “it would enhance competition in the creative industries rather than entrench a dominant

‼️📽️ The @wbd Board of Directors defines @ParamountNetESP 's offer as “illusory” and recommends shareholders to reject it The text confirms the review of PSKY’s tender offer and the reasons for the group’s determination, noting that “none of these reasons will be a surprise to

📺 @CzechTV addopts Harmonic for its video streaming workflow Harmonic’s XOS media processor leverages a cloud-native foundation, AI-powered EyeQ encoding technology and a full playout-to-delivery feature set with the intention of elevating video streaming for Czech TV and

🤝 Broadcast Solutions Group acquires PMT Professional Motion Technology As part of this acquisition, Broadcast Solutions Group will fully merge Egripment Deutschland GmbH (part of the group since September 2025) with PMT. Going forward, both companies will jointly operate under

🗺️ @ChyronHego releases its new AXIS Maps This innovation features game-changing 3D map visuals, customization options, extensive data layer support, pre-defined settings for admins to try to ensure consistency across all users https://t.co/1v8zxa7Plq

📻 @cadenamelodia (Colombia) upgrades its audio production consoles with DHD and ASPA Each of the DHD control surfaces is equipped with motorised faders which have enabled the implementation of a virtual microphone mixer on a second layer https://t.co/iBRdq4ITvK

⛳️ @PGATOUR Studios partners with SES for hybrid content distribution This collaboration will employ SES’s hybrid IP, fiber and satellite network and the Sports Content Orchestration Enabler (SES SCORE) platform https://t.co/JTfECyGB4B

🔴🚴‍♀️ Spain’s @rtve at La Vuelta 2025: Inside the technical core of the cycling race We break down the key aspects behind the audiovisual production of Spain’s premier cycling race, based on first-hand information from the country’s public broadcaster https://t.co/iUY9cYZyxL

🏠 @netflix inaugurates the second House experience in @GalleriaDallas (Texas) The first entertainment venue, ‘Netflix House Philadelphia’, was inaugurated last november, and the third location in BLVD, on the Las Vegas Strip, is scheduled for 2027 https://t.co/zpiCB4KO6e

⚽️ @wtvision_ delivers multi-language AR graphics for 2025 Conmebol @Libertadores and @Sudamericana All traditional on-screen graphics were produced simultaneously in three languages – English, Spanish and Portuguese – with distinct sponsor configurations per language and

🤖 @smpteconnect releases ‘Artificial Intelligence and Media’, an updated version of the Engineering Report The document was the result of a task force on AI standards in Media that began in 2020 and is an updated version of the report released in 2023 https://t.co/tYYQMADz8N

✅ AIMS announces IPMX product testing and certification event in January 2026 The first official Internet Protocol Media Experience (IPMX) Product Testing and Certification Event will take place January 19–23, 2026, at the EBU headquarters in Geneva, Switzerland 🔗