Released in July of 1964, Crescent occupies a unique place in the discography of John Coltrane’s classic quartet, as it’s the first studio album where an unaugmented version of the group recorded a full album of all-original material.

Marantz’s new integrated amplifier features exquisite design and is constructed from the finest materials, adding elegance to any room.

An uncompromising new power amplifier from Luxman, the M-10X embodies advanced design methods to combine sonic nuance with formidable power.

Introducing Audio Basics, brought to you by The Absolute Sound: the world's preeminent source of expert reviews, features, and commentary on high-performance audio and music.

A lot of software is built around a fixed cost + volume model. It takes some serious brainpower and programming effort to create the application you envision, but then your costs are to some degree set and if you get enough volume you become profitable.

Celebrated recording engineer Jonathan Horwich offers insights into the recording process.

TAS remembers Lloyd Walker.

An interview with Bob Attiyeh, the Executive Director of Yarlung Records, reveals how a small label can accomplish big things.

Steven Stone discovers a perfect example of just how good today’s inexpensive DACs have become.

What does reducing noise to un-precedentedly low levels buy you in a cable? Listen to Crystal's new flagship Da Vincis, says JV, and find out for yourself.

Made of six-nines OCC copper with an XLPE dielectric and a double cryogenic treatment, the Au24 SX, Audience believes, is its finest cables ever. I can’t disagree.

Overall, I have to say that the Magico M9 is the best-sounding loudspeaker I’ve heard. It represents the ultimate realization of the accumulated knowledge and sophisticated technologies Magico has developed over the past 25 years.

If you are thinking of creating a system that requires a high-quality two-way monitor, if you don’t give the NSMT 15SE a listen, you’re missing out on an excellent high-value option.

These loudspeakers deliver the essential character of a recording honestly, without editorializing, as well as some other far more expensive transducers. Give the Rogers LS5/9 Classic SE a good long listen.

It doesn’t just offer a taste of the high end in small portions. Without question, the Audiovector QR1 ups the ante for any competitor that hopes to compete in the $2k segment.

The top-of-the-line towers cost over twice as much as the bookshelf versions I had in my listening room all those months ago, and I was excited to hear how the Lumina line sounded further up the chain.

The speaker pulls off several magic tricks. As you listen, you’re intellectually aware that what you’re hearing shouldn’t be possible. Yet there it is. Ultimately, you suspend disbelief, relax, and embrace the illusion. Hearing is believing.

Musical detours by Kacey Musgraves and Brandi Carlile catch Alan Taffel’s attention.

In studying Web3 and the Metaverse, I want to point out some challenges they present to audiophiles. These are more conceptual reminders than literal issues (though I'm sure there are some of those, too).

As noted in Part 1 of this series, these articles aren't meant to convey things that are intentionally kept secret. But audio has a rich intellectual history, which is not easily conveyed, and therefore is rarely summarized in a systematic form.