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@Slant_Magazine
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"Tell all the truth but tell it slant."
Brooklyn/LA
Joined October 2008
In theaters this Wednesday, Jim Jarmusch’s FATHER MOTHER SISTER BROTHER is haunted by mortality and the inevitable passage of time. Read Keith Uhlich's review. https://t.co/H46jqANL3W
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The first trailer for Christopher Nolan’s adaptation of Homer’s epic Greek poem THE ODYSSEY is here.
slantmagazine.com
The mythic action film stars Matt Damon as Odysseus, who spends a decade trying to return home after fighting in the Trojan War.
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Check out the full list with commentary here:
slantmagazine.com
In an age of dwindling attention spans, songs are the most discrete commercial musical unit.
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Listen to our playlist of the 50 Best Songs of 2025! #BestOf2025
https://t.co/AiPGLxOGlv
open.spotify.com
Playlist · Slant Magazine · 50 items · 33 saves
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Roy Ward Baker’s underrated SCARS OF DRACULA marked a turning point in Hammer’s Dracula series, and Kino has given it a revelatory 4K makeover. https://t.co/KM2LGq8Xpp
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Where would you rank the latest season of #Survivor?
slantmagazine.com
The series has morphed from a “social experiment” into TV's most complex competition.
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How many of our 50 Best Albums of 2025 have you heard? Check out the full list and tell us your favorites! https://t.co/Ga2uqatco7
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Season five of 'Emily in Paris' sees capitalism's final girlboss taking a hollow Roman holiday. Read our review.
slantmagazine.com
I came into the show’s fifth season a curmudgeon. I left a communist.
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This year marked the 25th anniversary of @Eminem's 'Marshall Mathers LP,' an album that's still soul-crushingly bleak.
slantmagazine.com
Color has no place anywhere on an album this soul-crushingly bleak.
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Read our interview with Kevin O'Leary about his acting debut in MARTY SUPREME, what he learned from working alongside Josh Safdie and Timothée Chalamet, and where he sees some of himself in Marty’s striving for success. https://t.co/QNyvb89J53
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MARTY SUPREME is the first film I’ve ever given a full four stars to at @Slant_Magazine. It’s a dazzling culmination of what Josh Safdie and Timothée Chalamet have been working toward in their careers — and points to further greatness ahead. My review:
slantmagazine.com
'Marty Supreme' rapturously reprises a siren song that transcends any single American era, beckoning hustlers to heed its call.
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The Best Albums of 2025 are at turns introspective and ambitious. #BestOf2025
slantmagazine.com
While the year started off quietly, it ultimately produced a slew of albums that are at turns introspective and ambitious.
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Radiance’s gorgeous new Blu-ray makes Robert Altman’s anarchic O.C. AND STIGGS available for some much-needed reappraisal. https://t.co/a2d6KwixfE
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Read our extensive interview with Laura Poitras and Mark Obenhaus about their documentary COVER-UP, Sy Hersh’s legacy, and what keeps them going in their own mission of holding power to account. https://t.co/HD1Hlx7SGI
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Laura Poitras and Mark Obenhaus’s COVER-UP attests to a craft’s enduring importance at a time when resources for it have declined. https://t.co/5P1W1QzrV5
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Just about the most surprising thing about THE HOUSEMAID is that Paul Feig, known primarily for directing comedies, didn’t have the foresight to nod to the material’s inherent camp value.
slantmagazine.com
Everything in the film is uncertain, right down to Sydney Sweeney's performance as a woman trying to avoid being sent back to prison.
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In an age of dwindling attention spans, songs are the most discrete commercial musical unit. Check out our list of the 50 Best Songs of 2025! #BestOf2025
slantmagazine.com
In an age of dwindling attention spans, songs are the most discrete commercial musical unit.
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In one way or another, the shows on this list were high-risk endeavors that gloriously paid off. #BestOf2025
https://t.co/bo7NP17P23
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THE SPONGEBOB MOVIE: SEARCH FOR SQUAREPANTS is dotted with the whacky humor and ingenious puns that fans of the series have some to expect.
slantmagazine.com
'The SpongeBob Movie: Search for SquarePants' is dotted with the whacky humor and ingenious puns that fans of the series have some to expect.
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AVATAR: FIRE AND ASH moves at a clip and looks like hundreds of millions of bucks have been spent, which isn’t the same thing as saying that its 3D visuals are particularly beautiful. https://t.co/EUiPWqv3fE
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