Sabzian
@Sabzianbe
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Sabzian is an international film journal, hailing from Belgium.
Brussels
Joined October 2013
It is with great honour that Sabzian and @BozarBrussels welcome the incomparable French actress Isabelle Huppert to Brussels for the State of Cinema 2025. โ
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RT @gerardfranz: Iโm looking for the rights holders of the photos by Duilio Pallottelli of Pasolini in New York. If Iโm not mistaken, theyโฆ.
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@flux_de_merde Part of the new issue ๐๐๐ง๐๐ ๐ฟ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐ค๐ข๐๐จ๐ ๐ค๐ ๐พ๐๐ฃ๐๐ข๐, edited by Arta Barzanji /@_rtab_ and Gerard-Jan Claes / @gerardfranz. โ
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โIt was by inviting us to compare Le grand bleu [The Big Blue] and Palombella rossa [Red Wood Pigeon] that Serge Daney concluded his 1980s โ a decade lived between cinema and television, between the โimageโ and the โvisualโ.โ โ @flux_de_merde . โ
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RT @Avaret: "Such was the beauty of La maman et la putain, Adieu Philippine, Faces, and even of recent films like Van Gogh and Jโentends plโฆ.
sabzian.be
The principle of insufficiency remains at the heart of cinema, even at a time when auteurs too readily drape themselves in the autonomy of โItโs enough for me.โ [...] This solitude gives films a...
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Part of the new issue ๐๐๐ง๐๐ ๐ฟ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐ค๐ข๐๐จ๐ ๐ค๐ ๐พ๐๐ฃ๐๐ข๐, edited by Arta Barzanji /@_rtab_and Gerard-Jan Claes / @gerardfranz.โ
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โAs his move to Libรฉration neared, Serge Daney took to probing the general state of the cinema, presciently aware of the metamorphosis it was experiencing at the dawn of the 1980s. Filmed cinema seemed to haunt the art form.โ - Daniel Fairfax
sabzian.be
Of all the caustic epithets deployed by Cahiers du cinรฉma during its many critical disputes, perhaps the most archetypal is a term that emerged in the late 1970s: โfilmed cinemaโ. Its meaning can be...
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Part of the new issue ๐๐๐ง๐๐ ๐ฟ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐ค๐ข๐๐จ๐ ๐ค๐ ๐พ๐๐ฃ๐๐ข๐, edited by Arta Barzanji /@_rtab_and Gerard-Jan Claes /@gerardfranz .โ
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โFinally back home, Serge Daney would share his stories โ for he never hid the fact that travelling also served as a way to construct around himself the myth, as enigmatic as it was flattering, of the โStevensonian wandererโ.โ โ Emmanuel Burdeau
sabzian.be
Travel is barely a theme, then. In any case, Daney rarely thematises. His thought proceeds by leitmotifs โ or even through personal obsessions that are unafraid to remain so. Itโs hardly surprising...
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RT @tpaleyfilm: @ICALondon Bonus! Bonus! Bonus! A collection of essays, interviews, and translations assembled on Sabzian, reflecting on Daโฆ.
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RT @tpaleyfilm: Great series of screenings and discussions hosted by @ICALondon upcoming 29 Aug - 7 Sep, exploring Serge Daneyโs cinematicโฆ.
ica.art
The Institute of Contemporary Arts (ICA) is Londonโs leading space for contemporary culture. We commission, produce and present new work in film, music, performance and the visual arts by todayโs...
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@criticademonica Part of the new issue ๐๐๐ง๐๐ ๐ฟ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐ค๐ข๐๐จ๐ ๐ค๐ ๐พ๐๐ฃ๐๐ข๐, edited by Arta Barzanji /@_rtab_and Gerard-Jan Claes /@gerardfranz .โ
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โAs a critic of a time now lost, Serge Daneyโs texts situated us in the role of the spectator โ which in turn is also the role of the critic โ who exists in two ways: โas an inert body among others and as a vivid gaze between shotsโ.โ โ @criticademonica
sabzian.be
As a critic of a time now lost, Daneyโs texts situated us in the role of the spectator โ which in turn is also the role of the critic โ who exists in two ways: โas an inert body among others and as a...
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Part of the new issue ๐๐๐ง๐๐ ๐ฟ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐ค๐ข๐๐จ๐ ๐ค๐ ๐พ๐๐ฃ๐๐ข๐, edited by Arta Barzanji / @_rtab_ and Gerard-Jan Claes / @gerardfranz .โ
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โFor Daney, the cinema wasnโt just a matter of images, but primarily of time. โIf, for someone like me, the first thing was time and the second the imageโ, he โtoday itโs the opposite: the image comes first.โโ โ Mohammad Reza Amiri
sabzian.be
Daney was opposed to every image that hindered or perturbed this passage, whether spectacular images, pornography, television, advertising, the script, cartoons, or mannerism. Each blocked a passage...
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