
TheRealWillShuler
@RealWillShuler
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theatre history, aesthetic philosophy
London, England
Joined February 2016
I have a piece out for @ConversationUK today about audiences and male nudity in the theatre: #slaveplay @SlavePlayBway.
theconversation.com
If policing the audience during the play is necessary, perhaps the casting or the nudity needs reconsidering, otherwise both simply read as gimmicks.
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RT @laura4film: No trophies for me last night at #THEAwards but it was an honour just to be in such esteemed company on the shortlist, alon….
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RT @ProfJSanders: It was an absolute honour to celebrate @RealWillShuler ‘s nomination as most innovative teacher at the #THEAwards2022 las….
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RT @timeshighered: On #THECampus @RealWillShuler identifies three challenges of integrating augmented reality into the classroom and shares….
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RT @RHULDrama: @RHULDrama's Senior Lecturer in Drama and Theatre Studies Will Shüler (@RealWillShuler) identifies three challenges of integ….
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RT @RHULDrama: @RHULDrama's Dr @RealWillShuler has been invited to hold a session on their #THEAwards Innovative Teacher of the Year nomina….
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Got to see @RHULDrama alum @James_Douglas16 in the Lysistrata at @LyricHammer A smart retelling about student doctors on strike (at an STI clinic, so there were still sick jokes).
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RT @RoyalHolloway: Professor Katherine Brickell from @RHULGeography and Dr Will Shuler from @RHULDrama have been shortlisted in @timeshighe….
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RT @jparkerstarbuck: Presenting at @iftrcomms @IFTRInt_medial with @RealWillShuler on our work with @StoryFuturesA @StoryFutures #arstoryde….
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RT @Mary_Matheson1: Groundbreaking work by MA Immersive Storytelling and Drama students exploring directing and acting for 360 filmmaking….
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RT @RHULDrama: We are absolutely thrilled to be ranked 8th in the UK for Drama and Dance in the Guardian University Guide 2022! https://t.c….
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🏹🏹🏹🏹 4 bows for #NTParadise @NationalTheatre It does that thing Greek Tragedy ought to: reflect in complex ways about social issues. In this case war, the impact of war, and the timely issue of how to stop/end a war. 30 mins too long.
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🎈🎈 2 balloons for #Constellations @DonmarWarehouse Clever design and strong acting (PC&ZW). Maybe I’m cold, but there are too many characters to develop any feeling for one. While the casting maps on to the string theories of text, does it erase particular lived experiences?.
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RT @DanRebellato: The Department of Drama, Theatre & Dance stands in full support and solidarity with our colleagues in Music. Statement at….
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RT @RHULDrama: Dr Will Shuler (@RealWillShuler) has recently contributed to a book entitled 'Rancière and Performance.' Will's chapter is….
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RT @Mary_Matheson1: Coming soon! A dev project with @RealWillShuler @dvyng_ Nuno Barreiro @mnemoscene using AR for online teaching and live….
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0 emojis 4 @TinaTheMusical Not even Tina can save this disaster jukebox musical. Plot is as subtle as a car crash, characters have gossamer depth, & the arrangement of songs to musical genre leave you remembering what it should sound like. And those accents! Ffs Get a vocal coach.
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🌖🌖🌖 3 waning gibbouses 4 @AgesOfTheMoon @thevaultsuk good acting and thoughtful reflections on age and memory are somewhat eclipsed by oddly-timed slapstick, overt product placement @WoodfordReserve and a yucky, masculine fetishising of the ‘glory days’.
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🌊🌊🌊 3 waves 4 #Solaris @LyricHammer The structure is filmic, which usually I dislike; however, the projections and versatile set create meaning during the many scene changes. Thought experiment of the plot is most intriguing: perhaps this novel didn’t need to be a play.
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