I'm not slagging off Press Gazette in particular but, five months after I published this piece about whether freelance journalism is becoming unviable, I haven't been paid the £250 commission fee.
Katy Perry's 'Never Really Over' is a testament to the incredible flexibility of the English language. The word 'over' is used to mean four different things. Send tweet.
Editors: pitches should be exclusive to us, mention pieces of ours you've enjoyed, tell the story but not spoil the story, ask questions but have the answers (though not too many answers), and be 100-150 words long. No, we're not going to REPLY! But that's how they should look.
@samparkercouk
Exactly; the perfect detail that elevates it (sorry) from your typical show, which would let him have a luxurious dramatic space to contemplate it all.
Aspiring freelancers, in case you're wondering (and the above hasn't put you off completely): some of the places that pay wonderfully promptly are The Guardian, The Telegraph, NME, The Sunday Times, Vera, Inverse.
Ha entertaining read. This is WEEK 2 of what’s supposed to be a 52 WEEK weekly review of my life. You sure you wanna do this my friends at
@ShortList
? I’m a busy, loving, laughing, happy, intense and complicated bunny. Not sure that’s newsworthy 🤷🏾♂️🐰
Incidentally, in my experience, if you share this stuff publicly, you do get paid more promptly. I've done it before with one publication. Have I written for them again? No-o-o. Great stuff!
Oh HELLO. The Guardian sent me to Sweden to report on the GeoGuessr World Cup, where people can identify locations to within three metres based on a single Google Street View photo.
I could have written 50,000 words on this. For this weekend's
@guardian
I went to the World Stone Skimming Championships on a tiny island off the west coast of Scotland. I found rivalries, tensions, and legends. An absolute dream.
I don't think writers should be ashamed to publicly call out publications when they don't pay them. So hi
@thegentsjournal
; you haven't paid me £270 for this piece that I wrote JUNE. Stop messing me and other writers around.
The two-minute train chase at the end of The Wrong Trousers is the greatest chase sequence in cinema. For
@inversedotcom
I spoke to the brilliant minds behind it.
I'm proud to say that my final
@ShortList
cover is an interview with
@joelycett
. The piece includes the phrase 'lovely succulent moist turkey'. Out tonight. (Reindeer head wrapped with exquisite skill by
@AliceMarion_
.) 📸 -
@jaybrooksphoto
For three years of my life, ShortList has been the most exhilarating place to work. It's been an honour to have had the opportunity to do so many wonderful things with so many brilliant, brilliant people.
Well I’ll be damned, the cover of Time Out magazine. 🚀🤯
Deffo flashing this at the bus driver when my Oyster declines today.
Thank you
@TimeOutLondon
&
@OhHiRalphJones
for the lovely piece 🙏🏽❤️
This Catholic homophobe can feel her worldview gradually becoming obsolete and, in her fury, says that celebrating homosexual penguin behaviour is like celebrating emus being Catholic. Sort of funny, sort of embarrassing.
"We want to leave the Labour Party because it is institutionally racist."
"How would you describe people in non-white communities?"
"I think I'd say, 'Black or a funny tinge'."
Being part of
@richardpbacon
's phenomenally engrossing show This Is My House was the highlight of my year. You can watch me here, on BBC 1, improvising my socks off and saying things like 'Breathless Pistachio'.
#thisismyhouse
#breathlesspistachio
FREELANCERS! I'm writing a piece about how employers can better treat us - what they do wrong, what they overlook, what drives us mad. Please contribute and share this so that other freelancers can get involved &, ideally, improve things. My ears are open.
#freelance
#freelancers
Freelance journalists, this bears repeating: do not for a second worry about pitching to multiple places at the same time. Any editor that expects you to pitch exclusively to them is being unnnnnNnnnrealistic.
To lift the lid on something for a second: before it was published, this pitch was rejected or ignored by the New Yorker, the New York Times, GQ, The Atlantic, Wired US, The Atlantic, Jezebel, The Guardian, New York Magazine, and Vice. Keep going, is my point.
Copies of How To Skim A Stone, MY FIRST BOOK, have just arrived. O.M., and I cannot stress this enough, G. I am 500 feet over the moon. Here I demonstrate how to skim the book - ha ha! Just a bit of fun.
It's not Kate Middleton photo levels of exciting but - signed an option for a TV sketch show the other day with
@The_Awkward_S
. Pretty goddamn chuffed.
The demise of sub-editors is such a sad and silent loss to journalism. I know how to write. When I file pieces, however, editors often introduce linguistic errors all by themselves (and don't send copy back - just publish). Both the publication and the writer look crap. Great!
10 years ago I struggled to look at myself in the mirror. This week, I feel very lucky to have been able to write the
@ShortList
cover story, speaking to men with similar problems. You don't know what's going on in other people's heads until they tell you.
Dead chuffed to have been asked to profile Charlie Heaton for
@BritishGQ
's Hype cover. We threw pottery together. Doesn't matter who was 'better'. I spoke to him about Stranger Things, fitting in, and knees.
"The fungus was a whole other character in itself."
"The idea was that I would take the snake home, have it on my vast bed."
"What came out was odd."
Just SOME of the quotes from my new
@inversedotcom
oral history of 1993's Super Mario Bros. Enjoy!
🤟A huge one for me. For Notting Hill's 20th anniversary I interviewed the stars, the director, and the editor of Horse & Hound about how the film came together. 🤟
OK, today is my first day post-
@ShortList
and I'm looking to go freelance. If you've enjoyed my work over the years - maybe consider commissioning me. I write journalism, I write comedy, and I am best friends with
@TheRock
. Here's some of my work:
You likely don’t know 'Bug Man' Steven Kutcher – but you’ve almost certainly seen his creepy crawlies. Empire meets the man responsible for furnishing films with freaky creatures for decades. Words
@OhHiRalphJones
. Photos
@ShayanAsgharnia
.
ORDER A COPY:
Speaking to Jason Isaacs (
@jasonsfolly
) is always a delight. Here he tells me and
@BritishGQ
about drugs, playing tennis till your knees pop, and trying to look beautiful.
PR to me: Would you like to interview this celebrity?
Me to PR: I'd love to.
Me to editor: Would you like to run an interview with this celebrity?
Editor to me: We'd love to.
Me to PR: They'd love to.
PR to me: They're not available.
Me: Great stuff.
The other thing I'm excited to tell you all today is that I'm writing a book! Called 'How To Skim A Stone', it will be a loving look at the meditative, competitive art of stone skimming - published this autumn by
@QuercusBooks
.
In month 1 of freelancing I've written dialogue for Liam Neeson in collaboration with StudioCanal; reported on chemsex, smoking lobby groups & Jordan Peterson; & spoken to people in a cult-like Facebook group for people who drink their own piss.
Well, if it isn't my first story for
@WiredUK
. In 2019 I discovered a website called Flat Earth Singles. It got me thinking: when you believe the world is flat, how on Earth do you find love?