natalie
@NataliesNotInIt
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I have the oldest Xbox known to man // author: NOISE MUSIC (forthcoming) // words at @pastemagazine @floodmagazine @BWDR @stereogum // Takashi Miike fangirl
she/her
Joined April 2010
In utter disbelief about this, but the news is out! I'M PUBLISHING MY FIRST BOOK WITH @333books!!!. Thrilled to write about noise music in this capacity! Huge unending thanks to the 33 1/3 team for taking this on!. Immensely excited to bring this book into the world π΅ππ΅ππ΅π
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RT @perfumegenius: Blair witch project π€ͺ𫨠So crazy. Wouldnβt happen today camera are too good now.
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Anyone ever heard of this one?. (Thought I didn't have more than basic admiration of the tight scope before everything became Star Wars: The Monolithic Entity Strikes Back, but we had a LOT to say about the time + place it came and changed the game. Star Wars=New New Hollywood?).
π΅πππππ ππππ£πππ ππ‘πππ, πππ¦π€ππ¦. Not here, though, 'cause weβve got @goodhunterabbie and @NataliesNotInIt in the cockpit dishing out takes and trivia alike on STAR WARS (1977)!. Some say it's the best STAR WARS discussion on the internet. (links in π§΅)
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RT @goodhunterabbie: The Trylove crew are saints for letting me get this out of my system after watching the movie for the first time in siβ¦.
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RT @Longreads: In our Weekly Top 5:. * Wildfire: too close and personal @AltaJournal.* Running from demons @TheEconomist.* Experiments in mβ¦.
longreads.com
Showcasing stories from Katya Apekina, Jonathan W. Rosen, Robert Sanchez, Eric Levitz, and Natalie Marlin.
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RT @Longreads: 5. "Laughing With the Pain" (Natalie Marlin). "But we all become veterans of pain, donβt we? May we all find a small crew ofβ¦.
brightwalldarkroom.com
One of the perpetual charms of Jackass is that it feels like it can belong to anybody, that anybody can become a part of it.
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RT @Longreads: "Deep down, I think we all sensed the ways that Jackass, as we saw it, was a kind of community-building, of getting closer tβ¦.
brightwalldarkroom.com
One of the perpetual charms of Jackass is that it feels like it can belong to anybody, that anybody can become a part of it.
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Hi, I'm Natalie Marlin, and this is Laughing With The Pain (my @BWDR essay on Jackass being an unconventional form of community, its open invitations of overt homoeroticism, and displacing the prevalence of trans pain)
brightwalldarkroom.com
One of the perpetual charms of Jackass is that it feels like it can belong to anybody, that anybody can become a part of it.
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RT @tilleykomorny: this was so much fun! and probably the deepest weβve gone on a podcast before :).
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Home Is Where is one of those really exciting bands who keep reinventing themselves and what their music can be, especially on Hunting Season, their most accomplished record yet. so I was so glad we got to talk to Bea and Tilley for this podcast!.
On this episode of FYC, our new music discussion series, @NataliesNotInIt & Rose are joined by @homeiswhereband's Bea & Tilley to discuss the band's new album, Hunting Season. Support us on Patreon for as low as $1/month to hear this episode over 48 hours early.
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Guided the podcast through a very near and dear topic to me (memory-holed dirty and hypersexual indie rock songs of the 2000s). If the name "Louis XIV" is like a sleeper cell activation phrase for you, this is the episode for you.
On this bonus episode, @MonrovianPrince & @NataliesNotInIt are joined by Jay Papandreas & @grace_roso as we look at a bygone era of indie sleaze. Support us on Patreon for $5/month to hear this full episode exclusively.
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There are times where I look at podcasts and I see nothing worth liking. but that's NOT the case with the best movie podcast in the game, baby!!!. One of my fave recordings I've done with the Trylove guys, felt like I unlocked so much to a movie I've loved for half my life.
πβπ¦ π πππ¦π’π₯π² π¦ππ§. In our last episode on the films of Paul Thomas Anderson, @NataliesNotInIt helps us dish out takes on THERE WILL BE BLOOD (2007)!. This way for talk of family, faith, and false selves hiding truth just beneath the surface! βοΈπ’οΈπ₯. (links in π§΅)
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Wrote about Death Grips' bizarre, singular double LP The Powers That B turning 10 for @stereogum and fetishizing our own mortality. felt like the biggest album in the world to me when it dropped, and still feels like I'm finding more to it a decade later
stereogum.com
From their very beginnings, Death Grips always sounded like a group far-flung from some alternate future, even when their touchpoints were rooted in a firm past. Though most of their early work was...
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Meant to post this here when the album got announced, but I keep forgetting this place exists at all these days.
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So unbelievably touched to be asked to write the bio for this incredible new record from Alan Sparhawk (of @lowtheband) and @tbtduluthβa tremendous gift to put this album from folks I've long admired into words. Out on @subpop on May 30th, preorder here:
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RT @trylovepodcast: .@nintendufus, @Cody_BH, @punishedtake, @aarbypls, and @goodhunterabbie watched MOULIN ROUGE! recently. Then we wroteβ¦.
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RT @floodmagazine: Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Kathryn Moβ¦.
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RT @NataliesNotInIt: Wrote about Kathryn Mohr's elusive, hypnotizing LP Waiting Room for @floodmagazine. Part shoegaze, part dark ambient fβ¦.
floodmagazine.com
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohrβs voice and the tangible weariness of her minimal use of guitar and synth.
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Wrote about Kathryn Mohr's elusive, hypnotizing LP Waiting Room for @floodmagazine. Part shoegaze, part dark ambient field recordings, it's skinned of easy meaning, leaving you to find your own way around its chilly dark. An early highlight in 2025 records
floodmagazine.com
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohrβs voice and the tangible weariness of her minimal use of guitar and synth.
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