If you’re a musician, researcher, or work in music for games, film, or tech — this is for you. Join us. Let’s shape the future of music — together. 🔗 @crpsai (10/10).

CORPUS is a project by my company Sofilab, backed by the EU and private investment. Next: we launch Reef, our generative AI tool built on CORPUS. (9/10).

AI can’t replace creativity. But it can unlock new forms of expression, if the foundation is solid. That’s what we’re building. (8/10).

CORPUS isn’t just a dataset. It’s a new standard. A movement to put artists at the center of innovation, where they belong. (7/10).

Most music AIs today are built on unlicensed data. They sound impressive — but the foundation is broken. (6/10).

It’s created by real musicians. No scraping. No gray areas. Every contribution is opted-in and fairly rewarded through a dynamic royalty system. (5/10).

CORPUS is our answer. We’re building the first high-quality, ethical, and legally compliant music training corpus for AI. (4/10).

Now, with AI rewriting the rules of creativity, the question is urgent:. How do we ensure this shift benefits musicians — not erases them? (3/10).

I’ve spent my life exploring how technology can expand artistic work — from opera and sound installations to immersive environments. (2/10).

CORPUS is here. A new project for anyone who believes the future of music should be shaped with artists — not against them. @crpsai (1/10)

📷: Helen Karam for @holophonixyz taken at Opera Comique, Paris.#ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9).

Not because it’s a novel idea. But because if we don’t, we may soon have nothing left to defend. (8/9).

Maybe it’s time we shift the focus toward the value of process itself. And invite more people to take part in it – not just as spectators, but as co-thinkers and co-feelers. (7/9).

In doing so, we’ve underestimated how easily the value of the outcome itself can be undermined when “results” seem possible without process. Fast, cheap, and at scale. (6/9).

In the age of generative AI, this has become a real problem:.We artists have spent too long showcasing outcomes – not how they came to be. (5/9).

The final result, a fusion of baroque music and cinematic sound design, is not something either of us could have created alone. It’s the product of a shared journey, not just a finished artifact. (4/9).

For Samson (after Rameau, directed by Claus Guth), I worked with Raphaël Pichon – and rarely has a process felt more intense. (3/9).

But it’s precisely that path – the joint struggle over every pitch, every duration, every nuance of sound – that I would call “ground truth” in art. (2/9).

#groundtruth.These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)

Why do I feel this intensity each time? I can’t decipher it. And maybe that in itself is already the answer. #OperaComique #Paris #TheaterMagic #Art #Creativity #Performance #GroundTruth #WhyArtMatters #Mystery #AIvsArt (4/4).