Luke Aspell
@Luke_Aspell
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Filmmaker, writer. Joined Twitter to promote me book. https://t.co/51stCl4CfB…
Joined November 2019
Waves, Colectivo Los Ingrávidos at The Beach Cafe, Morecambe Bay Area, United Kingdom. Curated by Jwllrs. https://t.co/r6guniR5Lk
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Later today, my video Wasp Light II will be shown in Jamie Jenkinson’s video programme and talk at Newcastle University’s Culture Lab for wildpop 2025. https://t.co/g8uXvQFg3q
wild-pop.org
cargo.site
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“What emerges from Vicente’s study is a modest but complex figure who developed his approach through a commitment to a non-didactic social realism." —Steven Ball reviews "Darcy Lange, Videography as Social Practice" by Mercedes Vicente published by Palgrave Macmillan in MFJ81
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“How to look at it? It appears inviolable. Every layer is distinct, a stream of movie extracts piled one on another, a multitiered rectangular rainbow cake." — MFJ Senior Editor Grahame Weinbren considers the layered works of Christian Marclay in our current issue MFJ81
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I remember that day. We heard news reports that a suicide bomber had been shot dead on the tube. As the day went on the details got murkier and murkier. I remember thinking: surely they can't have just executed some random member of the public?
Twenty years ago today, Jean Charles de Menezes was assassinated at Stockwell station. Head of the Met Police, Ian Blair, was made a Lord. Cressida Dick, who led the operation, was promoted to Blair's position.
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7x7 - Robert Wyatt - Red Alhambra https://t.co/jowUlRytYH
@YouTubeより
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Fred Camper broke the news of P. Adams Sitney's death on Frameworks 20 minutes ago. A devastating loss.
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London! Tonight! MFJ will be at @closeupcentre for a screening celebrating the launch of MFJ No. 81 “Dedication”. We hope to see you there! More info and tickets at link in bio 🎞️ 4 June 2025 8.15 - 10pm Close-Up Film Centre 97 Sclater Street, London
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if CSNY were all in a bathtub naked dissolving in hydraulic acid who would be the last one left
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The new Pope has started out on the right foot in naming himself after the great Leo Gorcey.
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My latest book costs only $16 if you order it straight from the publisher and over $6 more if you order it from Amazon. Ordering it from Sticking Place Books means that we both make more money from the sale, so please consider doing that. Thanks!
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"Kennedy’s film is simple but fun, its conceit bringing dynamic movement and repetition within a simple scene" — Read “Form, Tradition, and Political Documentation at TIFF Wavelengths" by Soham Gadre available for free on our website now.
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#MFJ81 ‘Dedication’ (Spring 2025) is available now! 💐 This edition is marked, above all, by grief...today there seems so much to mourn, as wars rage, ecosystems collapse, injustices multiply and worsen, and hopes of humanitarian justice founder.
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🍂 Upcoming in April we're proud to be launching MFJ No. 81 (Spring 2025) "Dedication". Subscription pre-orders are available via our link in bio. Image: Basma al-Sharif, Deep Sleep, 2014. Video still. Courtesy of the artist and Imane Farès, Paris.
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We're down to the last available copies of several best sellers from the MFJ archives. This includes the amazing MFJ 1 (Winter 1977 / 1978) “Surrealism in Cinema / Autobiography / Diary” Order from our website before they're gone forever!
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The Phantom Empire turned 90 years old last month. Gene Autry's screen debut, this serial remains one of the most incredible film experiences of my life. The whole thing's just nuts — and wonderfully so!
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“It is a masterpiece of its medium for its deployment of text in abstract and abstracting ways; for the subtlety with which it works the most plainspoken pictures into elaborate visual mechanisms...“ — Troy Sherman on Tony Cokes’s The Book of Love at @kemperartmuseum in #MFJ80
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“Framed and reframed, translated into a range of linguistic ruptures, Fairclough confronts the ongoing taboo and misunderstanding surrounding mental illness…” — Vicky Smith on Louisa Fairclough's exhibition 'Mental Falls' at Danielle Arnaud Gallery in #MFJ80.
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