Cigarettes after sex/ Poster design/ Texture study.

Thanks to @krea_ai for having me in their CPP. I get to do lots of stuff like this. :) Drop a follow if you like it, retweet if it resonated with you.

Sound ON🔊 A short film made entirely with AI—exploring light, shadow, and emotion. Built with @bfl_ml FLUX, @krea_ai , @Hailuo_AI o2, and voiced and music through @elevenlabsio . Every frame designed, every reflection alive.

My work; https://t.co/Cspd87AqiC

Any leads are highly appreciated<3

Insane what AI filmmaking is capable of these days. I mean, look at this. Every frame here was created using @krea_ai models like @bfl_ml Flux and @Hailuo_AI o2. Couldn’t be prouder of how it all came together. Huge thanks to @krea_ai for having me in their CPP. Audio On🔊

I Made a Kanye West Music Video Using Only AI – 'Black Skinhead' Reimagined Made with @krea_ai

FLUX.2 is here - our most capable image generation & editing model to date. Multi-reference. 4MP. Production-ready. Open weights. Into the new.

Dream a little dream of me ft. Margot Bingham | An AI short film Made using @krea_ai tools.

Pixelated Kisses | Featuring @sushitrash | An AI short film Made using @krea_ai tools.

Pixelated Kisses | Featuring @sushitrash | An AI short film Made using @krea_ai tools.

My work; https://t.co/Cspd87AqiC

As my journey at PORTO ROCHA comes to an end, I’m grateful to have met so many incredible people and to have learned under the leadership and spirit that define Porto Rocha. ❤️‼️I’m now open to new opportunities and actively seeking a Junior Designer role.

Make gaming magical.

This is a prime example of “yo I had this crazy dream!”🤣

TLDR; There aint any. Read the whole thing above. It's usefull

After exploring and combining references, I refine the system, defining rules around typography hierarchy, color behavior, imagery tone, and compositional rhythm. At this point, the process moves from inspiration to construction.

I then experiment by combining elements from different references, sometimes through layering, sometimes through contrast or alignment, to generate new visual ideas or system structures.

Once I have a broad collection, I begin editing it down to the most useful and relevant pieces. From these, I extract specific visual ideas: a typographic proportion, a texture treatment, a lighting style, or a compositional rhythm, and break them into small, usable parts.

With keywords set in place, I begin gathering references across typography, color, etc. I explore broadly at first; allowing intuition to play a role, but always within the framework that my keywords provide. This helps ensure every reference connects back to the project

How do I reference/moodboard for projects? 🚨 At the beginning of every project, I start by defining a set of keywords that capture the project’s tone, intent, and themes. These keywords act as the foundation for my research