AluanWang
@IOivm
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Following
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Living w/ digital art for more than 15 years. https://t.co/A1IBqnASxJ
Taiwan | Taipei
Joined March 2021
When I was making the Polypaths series, I always felt the real heart of the project wasn't the final image, but the system behind it. The output is just what happens. The real magic is in the underlying logic. There are a bunch of ways to build a generative system, but with
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The idea of an étude really fits this project. It started as pure research into brush and ink algorithms. But as the system matured, the work slowly began to find its own direction. In comics, you have story-driven creators and character-driven creators.Different paths, both
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In 2000, the S&P 500 had an elevated trailing P/E of 26, well above its long-term avg. of 14. For the next 11 years, the S&P 500 delivered zero returns! The current S&P 500 trailing P/E is 30 – even higher than 2000. History rhymes. For standardized performance visit our website.
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The journey of the algorithm by @lammetje_nl I often have a great time on @editart_xyz , especially because of its grid view. You can open up 100 works at once and really see the whole picture.That’s when collecting turns into a kind of curating. The series becomes a
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InkField feels very different from how I used to work. Before, most of my time was spent coding, and coffee breaks were when I slowed down and thought about what to do next. This time, after the system was done, I found myself spending hours just drawing with it.Really being
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Polypaths has been acquired by the National Taiwan Museum as part of its permanent collection. It’s a huge honor for me. This is Taiwan’s oldest museum, known for its focus on ecology and culture. More interesting things are quietly taking shape for next year.
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For me, the process of drawing #Inkfield matters more than the final image. You can see the intention forming between the artist and the algorithm. How the weight and lightness of the image get decided how I’m thinking about the structure on the left but the brush ends up
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InkField ｜ 墨域 Now that we’re in the AI era, is the artist’s will still essential? Maybe the real question is how we embed that will into generative art.
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News of @IOivm’s return, paired with the announcement of his new series 'inkField' has sent waves through the community. Adding to the excitement, 'Chaos Research' #17 found a new home today. Congratulations @beparadigm!
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Chaos Research dropped before fxhash ever took off, and now, four years later, inkField is heading back to where it all began. Artists don’t control the market. We just keep making the work and pouring everything into it.That’s the only part that truly belongs to us.
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Among everything released in late 2025,@StudioYorktown Theoretical Civilization and @Qotonana Ledina are, to me, the two most genuinely breakthrough works in generative art this year. Good art doesn’t need heavy wording.If you look closely, you’ll see it. Collectors can tell
Ledina by @Qotonana really stands out from other figurative generative art projects in a few ways. It deserves some attention.
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