
Guillesariegos
@Guillesariegos
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Animator at Studio Soi. Prev: The Wonderfully Weird World of Gumball; Sunshine Animation Studio
Joined December 2016
ENG BELOW También os parece que la voz de José Mota le va muy bien a Jesper? Hice esta animación para practicar, el audio es de Shrek 1 en castellano. Animation for practice I did, based on Klaus. Audio taken from Shrek 1 (in Spanish).
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Damn!!
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It’s finally out!! This was so much fun to work on and thank you Zach for giving me the opportunity to go wild with the assignment.
Had the pleasure of having @CamTheCan do my brand-new looping Twitch intro!! I let Cam have complete free reign with my voice and he took such good care of the entire process. I highly recommend this dude for anything for 3D work and he's a cool friend too 😎
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Cleaned Nicole and Richard in the shot of the house :) amazing animation by Guille as per usual, also super clean-up-friendly 🙏🫶🏻
Here's my roughs for The Wonderfully Weird World of Gumball's opening, to celebrate the international release of the show. Got to do the key animation for the whole sequence!! It still hasn't fully sunk in. More credits and trivia about the process in the thread: #twwwog #gumball
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@synsania @Cocoabells @MokitoArt @BlueStroke_ @veednet @torpordust @freddieelsom, Erik Fountain, Vanessa Schneider and all my friends in Soi production team. And everyone else who worked on the intro whose name I don't know!(I know that @Jack_Sachs designed it though! Big bow to you too!(and to everyone else that worked in the show, in general))
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and Id like to give an over the top, extravagant and very exaggerated bow to: everyone that took part in the clean up animation (@synsania, @Cocoabells, @MokitoArt, @BlueStroke_, @veednet, Enrique Padrón), @ben_bocquelet for his feedback, @torpordust for the designs, (...)
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Again, it was surreal to be a part of this, alongside all the great team that worked on the intro. I'm very grateful to Mathias Schrek and Nadine Schwenk for their guidance (we spent many afternoons working on this together)
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I got to 'design' the smear frames and movements Gumball's 3D face would do during the very first shot. The silhouettes you see were then used in comp as guide. (I traced over the 3D models which were already finished at this point in time).
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Without the camera tracking, the characters linger in the screen during the last shot. Haha.
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Same with Carrie's wipe transition in the hallway shot - in the end that transition got handled differently, but you can still see Carrie lunging at the screen in the final version if you look closely.
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In the dancing shot you can see Ocho and the creepy clown giving their best, although, at the end, they didn't make the cut. But they are there, in spirit.
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Guys. I just got a shock! With four days to go until the Kickstarter deadline, assuming we wouldn't reach our goal, suddenly we're only a few hundred short of reaching it! 🫨💓
‼️‼️The campaign for “Nostalgic Joe” is now live‼️‼️ If you want the game to succeed, any help is welcome. If you can't contribute, sharing the campaign with people you think might like it is also a big help! Links below! 👇
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Doing smear frames is always fun, this is one of my favourites from one of my shots in The Gut. The storyboard for this scene was just amazing with those cool angles. (link to the full scene in the replies) #twwwog #twwwogspoilers
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This summer I was privileged enough to briefly work in #KnightsOfGuinevere, so have a smol fanart. I love Gwen so much
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First poster for ‘THE SIMPSONS MOVIE’ sequel In theaters on July 23, 2027.
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It's funny to see stuff youve animated repurposed for marketing and ads, I mean it in the most positive way. Seeing him jumping in clouds is very cool
The countdown to "The Wonderfully Weird World of Gumball" begins. . In just 7 days on CN. ✨ #gumball @RegularTweetsUK
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.@Guillesariegos shared his rough animation for this funny scene from The Traffic episode of The Wonderfully Weird World of Gumball. More roughs: https://t.co/aDKu1Rntxt
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