Granshan
@GranshanConf
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The world's foremost project for non-Latin typeface design. Tweets usually by @hhpapazian, @incfish and @VikBurian
Worldwide
Joined June 2013
RT @hhpapazian: Thanks to Pippa of @crewsproject I took part in the Urban Creativity conference in July, giving a talk about the "script ev….
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"China's Gen Z women embrace centuries-old script".
hongkongfp.com
By Isabel Kua with Emily Wang in Shanghai At a studio in central China’s Hunan province, a teacher grips an ink brush, gently writing characters of a secret script created by women centuries …
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RT @AnanseCollectiv: Typography didn’t start with Helvetica. Before Western scripts landed on African soil, we had our own systems - symbol….
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RT @republicjournal: The Reinvention of Nsibidi 🧵. Gabriella Opara explores the resurgence of Nsibidi, the ancient writing system from Nige….
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RT @JustCodeCulture: Sharing a book review of @tsmullaney The Chinese Computer that I just published in the British Journal of the History….
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Why do we need new fonts? A type designer’s job is to make new fonts. But why is it necessary to keep making new fonts? Don’t we already have enough fonts around? . Read our insight and learn more about Cadson Demak and the Modern Thai Typeface .
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RT @Igor_Freiberger: More samples of Laboratorium —now in Italian, Dutch, Russian, and Polish. The second column of Russian shows how Cyril….
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Meet Lasha Giorgadze, a Georgian typographer shaping alphabets and identities. With over a decade in the field, Lasha has crafted 30+ unique typefaces in Latin and Georgian scripts. Two-time winner of Georgia’s national type competition. #GRANSHAN #LashaGiorgadze #GeorgianType
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RT @DerilloEyob: Uncatalogued Arabic manuscript from West Africa — a fragmented. Loose leaves, varying paper sizes. Topics include mathemat….
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RT @phono_logical: This will be a great-looking read: “The Bloomsbury Handbook of Global Typography” ed. by Paul Luna, Fiona Ross, Aaris Sh….
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RT @Igor_Freiberger: Laboratorium: Call for Testers. #font #typography #serif #ligatures #cyrillic #latin #greek #armenian #fontlab #typefa….
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RT @Eze102010: Hello everyone I want to remind you the Nsibidi expo is going to be online and in person in Calabar (Aug 29-31) that Sunday….
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Continuing our #GRANSHAN community series — meet Khajag Apelian, a lettering artist and type designer blending Armenian, Arabic & Latin scripts with cultural depth. Now working under debakir, Khajag teaches, designs, and uplifts script diversity worldwide. #KhajagApelian
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RT @EvaSilvertant: Does anyone recognize these geometric fonts? . I can’t quite tell if it’s one, two, or more fonts, but the 8 with a smal….
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We’re pleased to share a closer look at Devanagari Two, a 12-week online course led by Kimya Gandhi and organized by Practica Program. #Devanagari #TypeDesign #GRANSHANInsight #Typography
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Why do we still need new fonts?.Discover how Cadson Demak redefined modern Thai typography through tradition, innovation, and looped identity. 👉 Read our insight: . #Typography #ThaiType #CadsonDemak #Granshan #FontDesign #TypeCulture
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RT @TypeTodayNews: Talked to a TUMO Center graphic designer and Granshan competition winner about how they see the current state of Armenia….
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RT @EAscriptkeepers: The Tibetan script is more than writing - it’s a sacred art form. As its daily use declines, efforts to preserve it ar….
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Shirin Johari’s Hinglish Font cleverly blends English and Hindi scripts to make Hindi more accessible—without losing its character. Discover how typography can bridge cultures in our latest GRANSHAN Insights feature. 🔗 Read the blog:
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