Granshan
@GranshanConf
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The world's foremost project for non-Latin typeface design. Tweets usually by @hhpapazian, @incfish and @VikBurian
Worldwide
Joined June 2013
Applications are now open for the Donald Knuth and Charles Bigelow Type Design Incubator, now in its second year. The deadline is November 15.
kbitype.org
The Donald Knuth & Charles Bigelow Type Design Incubator (KBI) is powered by SILICON @ Stanford University, in partnership with Words of Type and Letterform Archive. KBI's goal is to empower early-...
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Meet Eunyou Noh, Korean Script Chair and Type Design Director at Sandoll. With a PhD in Hangul type design and a Master’s in TypeMedia from KABK, her work bridges history, craft, and innovation. #GRANSHAN #Typography #Hangul #TypeDesign #EunyouNoh #Sandoll #GlyphsTypeDesign
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Postdoctoral opportunity for US nationals for a two-year position with the SEI, as part of an NSF-funded project on the politics of digitizing newly-invented writing systems. Deadline actually 18th November. Full listing here:
aprecruit.berkeley.edu
University of California, Berkeley is hiring. Apply now!
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Cairo Calling — Creative Voices from a City in Motion! Slanted Magazine #46 dives deep into Cairo’s vibrant design scene — where art, activism, and identity collide in powerful new ways. → https://t.co/eap4LRjTZE
#cairo #cairodesign #creativecairo #slanted #slantedmagazine
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Great news! Thanks to Esteban Kong, the Script Keeper Network website is up and running at https://t.co/BnDyOo2W6Q. It will fill out and enrich over the coming weeks, but check it out to see what we have begun!
scriptkeepers.org
Script Keepers Network Unites People To Protect And Revitalize The World’s Endangered Writing Systems.
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How do we name the shapes of our languages? Every script carries its own anatomy, rhythm, and history. Typography is cultural archaeology, uncovering how languages move, breathe, and connect. 🔗 Read the full article on GRANSHAN Insights: https://t.co/PFrndc1Wq0
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The Donald Knuth and Charles Bigelow Type Design Incubator (KBI) invites students - especially those from Digitally Disadvantaged Language communities - to explore typography in a supportive online program. 🔗 Learn more https://t.co/e6DNsJdMmp
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Your contribution helps people create and share their keyboards and languages with the world. Discover the impact of your support at https://t.co/2xGLpYyUem.
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KBI Type Design Incubator: 2026 Applications NOW OPEN https://t.co/yDYPbj5rUo Deadline: Nov 14 The Donald Knuth & Charles Bigelow Type Design Incubator (KBI) is powered by @siliconstanford in partnership with @words_of_type & @Lett_Arc The program is where equity in type
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Designing Greek Type: Of Myths and Scripts Crafting Type for Greek and Beyond Discover how designers balance history and innovation in Greek type design now on GRANSHAN Insights 👉 https://t.co/oaFIHZuyJs
#GRANSHAN #SuFo #GRANSHANInsights #GreekTypography
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It is always hard to see how the typography terminology specially in type anatomy would be applied to Ethiopic script since it has its own unique style and doesn't align with Latin typeface rules and guidelines? #TypeHabesha
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A reminder that our first seminar of the season takes place tomorrow and is hybrid. Annick Payne will be giving us an Anatolian Hieroglyphic Masterclass! Zoom registration and more information via this link: https://t.co/xDTureDnQt
viewsproject.wordpress.com
We are excited to announce our autumn termcard of hybrid seminars, with three events coming up. The topics include Anatolian Hieroglyphs, Linear A and B, Greek alphabetic education and European and…
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Sovichet turned his passion into a profession. He has created both open-source and custom typefaces for global and local clients such as Google, Grab, Xiaomi, Carlsberg Group, Peng Huoth Group, Cadson Demak, Typotheque, and TypeTogether.
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Feedback from the 1st Knuth Bigelow Type Design Incubator, powered by @siliconstanford w/ @Lett_Arc + Words of Type, couldn't have been more glowing. Here's a sample of projects from the program. Keep an eye out for KBI 2026: https://t.co/k8iMZLc5VY Let's begin w SE Asia /1
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A century after its birth, Futura® speaks the world’s languages. TypeTogether’s Futura®100 revives a modernist icon as a multiscript family, uniting designers from across cultures in a single typographic vision. Read more on GRANSHAN Insights 👉 https://t.co/xngvf50xmQ
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Meet Panuwat Usakulwattana, senior type designer at Cadson Demak and educator shaping Thai typography. His work spans Thutiya (GRANSHAN 2017 winner), Tatsana Suksa for the Tourism Authority of Thailand, Panpuri Sans, and Bree Thai for TypeTogether - modern voice to Thai design.
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Our seminar line-up for the term, all hybrid! Three dates: 8th and 22nd October, 12th November, 16.30 UK time. We have Anatolian Hieroglyphs, Linear A and B, Greek alphabetic education and phonographic elements in European and Japanese heraldry. Links in following comments.
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