If you’re in London pass by @GazelliArtHouse to see ‘Subject to Change’ ! On view until the 19th of December https://t.co/DRKLhRrW5T

For our December edition, we look back at the many artists who have defined https://t.co/Pt5hlDZUfP’s identity and contributed to its evolving language. As we move into 2026, the programme enters a new chapter, shifting towards a more expansive, longer-form residency model that

https://t.co/Pt5hlDZUfP was founded to support new media practitioners working across AI, generative systems, VR, AR, and emerging technologies, with an online residency, a dedicated Project Space in Mayfair, and a permanent VR Library. Over the past decade, the residency has

A decade in, and just getting started. This December, we celebrate 10 years of the https://t.co/Pt5hlDZUfP Residency — a decade of experimentation, digital practice, and artists who have shaped the programme since 2015.

I know this is something artists always say but this REALLY is one of my favorite works and most likely I won't make something like this again. it was extremely labor intensive detailed work for a smaller piece. made in 2024 when we were experimenting with new forms

💥SOLD for $18,000 for private collector via Gazelli Art House Emotionally Present, 2025 Hand embroidery and acrylic over digital image with dye-sublimation on polyester canvas, stretched on wood frame 157.5 x 136 cm /// 62 1/8 x 53 5/8 inches

https://t.co/4b05jTeBpo

Explore more works in our exhibition, Subject to Change, on view until 19 December on our website!

In Persian literature, the "moon-faced" described beauty in both men and women. Today in Iran, it refers exclusively to women. Working with a multimodal AI model trained on archival Qajar paintings, Allahyari generates new genderless portraits that seek to repair this loss.

We are pleased to welcome Aziza Kadyri as our November artist-in-residence. Follow along her residency on our website!

Linda Dounia explores that training data carries meaning that exceeds the Cartesian logic of objectivity and classification – cultural, emotional, historical, relational, moral and proto-spiritual meaning reflects the metaphysical orientations embedded in the human processes.

In Harold Cohen's Outward (1966), thrown on whilst the painting was laid flat, the speckled ground was motivated by a desire to emphasise the cohesiveness of the painting, where the work is ‘determined from the first mark.’ (1/3)

✨ Now open as part of @CovBiennial, ‘in transit under another sky’, curated by EN Mirembe and Rosie Olang’ Odhiambo, features works from the British Council Collection. See it at @The_Herbert, Coventry, until 25 January 2026. Learn more: https://t.co/sp6oLSBF6D

Harold Cohen at Frieze London with @GAZELL_iO

Wonderful time at @GazelliArtHouse Symposium Especially the “Poetry Beyond the Page” talk with @aurecevettier & @CaballeroAnaMa ft AI in their poetic practice✍️🏻 Fittingly, both poets are also subjects in my Web3 People Portraits AI series 🤍

prepping slides for a presentation in London and was reminded of my first performance in a UK art world setting -- my @GAZELL_iO reading. this was THREE YEARS AGO. though so much has happened since, still feels like an instant ago.

AARON at Tsukuba by Harold Cohen Fellowship is working exclusively with the Harold Cohen Estate, @GazelliArtHouse, and @Verisart to place a curated selection of 100 authenticated Tsukuba drawings. Fellowship is the only gallery where AARON at Tsukuba works can be acquired

Subject to Change is now on view until 19 December 2025. Explore the works and artists on display on our marketplace here: https://t.co/66OXtAYJaL

We are delighted to welcome @LindaDouniaR as our October artist-in-residence! Follow along Dounia's residency this month on our website and social media!

The exhibition will feature works from Nouf Aljowaysir, @morehshin, @memoakten, Brendan Dawes, @JakeElwes, @entangledothers, @yaoeo, @auriea, and Aziz Kadyri.