Iodine
@ForgettingIs
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Artist, Sculpture, Painting, NFT
Joined May 2016
@beeple @refikanadol @ashthorp1 @craigmullins3 @yatreda @CHAOSursfischer @reisingerandres @JoshuaDavis @ChristiesInc 11) Even if you don't agree with me, watch the video. It's just so cool to learn about the story behind these works:
christies.com
5 digital drawings produced by the artist will be minted on the blockchain for the first time — underscoring the artist's interest in digital art
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🔥ONBD SELECTS: Live at SuperRare Gallery NYC🔥 We are thrilled to announce our IRL exhibition at the @SuperRare Gallery in Soho THIS FRIDAY! 🗓️Sep 9, 7-9 pm 📍417 W Broadway, New York 🎫RSVP: https://t.co/tJYpZNDwoe…
#armoryweekny #superrare #SuperRareGallery #onbd #nftart
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Just a general warning for everyone. It has become clear that scammers have entered the NFT space at an industrial scale. The same anon teams churn out project after project with similar (stolen) art, paid Instagram/Twitter shills, high mint prices, etc. And they won't stop.
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22 Pigeons drops in a few hours! We have worked tirelessly over the past few weeks to bring this project to life, and are extremely proud of the work that @roeethridge has made specifically for this drop. View the project here:
opensea.io
Roe Ethridge and Zome.art present 22 Pigeons, a collection of twenty-two new works derived from Ethridge’s iconic series of flying pigeons. To create these original works, Ethridge scanned and...
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About to transform the Art/NFT world. Excited to be a part of this amazing team
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. As a founding director of the Watts Towers Art Center, Purifoy knew the community intimately. His 66 Signs of Neon, in line with the postwar period’s fascination with the street and its objects, constituted a Duchampian approach to the fire-molded alleys of Watts.
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Noah Purifoy 1917-2004 His earliest body of sculpture, constructed out of charred debris from the 1965 Watts rebellion, was the basis for 66 Signs of Neon, the landmark 1966 group exhibition on the Watts riots that traveled throughout the country.
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Some excellent advice for all artists
quality > quantity ideas > gimmicks substance > trends exploration > regurgitation sustainable growth > cash grab original ideas > derivative ideas
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We moved here 3 years ago, another reason to love this community. • The entire state of Connecticut is now a COVID-19 red zone, with the exception of Falls Village.
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Artist @ashthorp1 killing it 'THE PARADIGM THREAD' — by De Tomaso | the convergence of worlds, parte I https://t.co/AAl7b9VO6d via @YouTube
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NFT artists read this!!Christian was part of the “process painting” boom about 5 years ago. he came out of nowhere and his prices skyrocketed, being manipulated by several greedy collectors who bought many works cheap directly from him. https://t.co/cSD93o7jTx
news.artnet.com
The FBI and the U.S. Attorney's Office in the Southern District of New York indicted Christian Rosa for selling Raymond Pettibon forgeries.
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how can you appreciate nft art if you don’t appreciate other forms of art?how can you speak about art when you aren’t a student of art? how can you be knowledgeable of one genre of art if you don’t know the impacts of other art forms on your area of interest? it’s all related
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"Evident Construct" is my special limited edition NFT presented by TR Lab x AI 2041 that you definitely don't want to miss. View the Work: https://t.co/jFSyRJi9oC Get Early Access to Purchase: https://t.co/Ej8oNIn08n Are androids DREAMING of electric sheep? @trlab_
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Excited to be a part of the sustainability conversation and work to address our global climate crisis.
Arts & culture can be a powerful tool in influencing change and seeking positive outcomes for our environment. Our #KiFutures program brings together resources & actions empowering institutions & individuals so that together we can bring about sector-wide change. @ForgettingIs
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I’m on @withFND 🌐 0xb34bDBAD217e089f3998936750d9a0dCF162Cb12 https://t.co/4HVplPQgcE
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The photographer Buck Ellison goads us to contemplate not just the existence of an American ruling class but the invisible lineaments of wealth, power, and race that undergird its existence.
newyorker.com
Buck Ellison serves bluebloods up for public scrutiny as only one of their own could.
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In her essay ‘Towards a Metalanguage of Evil’, she compares entrepreneurial males and psychopaths, and analyses America as a land of barely suppressed violence, blunted by beer and voyeurism and racial and sexual enmity.
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(for a group show at New York’s Team Gallery), destroying its parts and stowing them in bins around Manhattan, she effectively quit the artworld in disgust at its hypocrisies and inequalities. "
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