tonight, my frens, I made history @_nonfigurativ_

Spotify just notified me that Linkin Park will be touring in 2026. I mean… how? When Hybrid Theory came out, I was a teenager. My friend found the lyrics online and printed them out so I knew every song by heart — a whole decade before I would be able to catch them by ear. It

I had a studio visit with OONA 🖤 one of the most inspiring conversations I’ve had in a long time.

✦ New on OBJKTOR ✦ 𝐷𝑒𝑙𝑡𝑎𝑆𝑎𝑢𝑐𝑒: 𝑎 𝑏𝑟𝑖𝑒𝑓 𝑔𝑙𝑖𝑚𝑝𝑠𝑒 𝑖𝑛𝑡𝑜 𝑡ℎ𝑒 𝑒𝑛𝑑 𝑜𝑓 𝑡ℎ𝑒 𝑤𝑜𝑟𝑙𝑑 This week, @ForgetDali sat down to chat with @deltasauce, one of web3’s most instinctive storytellers — an AI artist shaped by carpentry, sculpture, cinema, and

Read the full interview on Objktor: https://t.co/SO5vSWOQAh

AL: What’s the concept behind your upcoming drop on objkt one? DS: I’ve been really interested in how pixels and censorship show up around the world. I play a lot with nostalgia; I love old CCTV footage. For this collection, I wanted to work with larger pixel sizes, so I built

AL: I also see a thread of violence running through the works. The imagery reminded me of films we grew up with — where violence was often romanticised, even glamorous, with gangsters who were clearly villains but also the best dressed, the most magnetic characters. Can you tell

AL: In Feed, I noticed a strong sense of nostalgia for the early digital age. What makes you return to that particular moment in time as a point of reference? DS: My love for the past is my guiding star, it’s this world that exists in such a short-lived and temporal state. It’s

AL: How do you approach working with AI, what is your process? DS: I build my own custom-trained models — I’ve been doing that for about a year. I built a model earlier this year for my Feed collection for Fellowship, and decided to evolve it. For the upcoming drop on objkt one,

On 11 December, @deltasauce returns to Objkt with ABSTRACTIVE. We spoke with him about nostalgia, the evolution of his process, and what to expect from his upcoming drop on @objktone. 🧵👇

I’m not at Basel, because I have two real screaming children plus this digital one ♥️ My first @RJ16848519

Can @objktcom wrap me like Spotify just did?

https://t.co/qtn03LTazB

Периодически мне рассказывают, что переплыли океан, перешли Альпы, прошли огонь, воду и медные трубы, прежде чем найти мой телеграм-канал. Ребят, ценю ваш героизм, но сохраним его для подвигов посерьёзнее. Итак, у меня есть канал про цифровое искусство, пишу я по-русски (и,

From literature to a solo show with bitforms gallery. Meet @RJ16848519 🧵👇

Came home to find a Fender box outside 😭. At least my JPGs don’t take up any physical space

fucking make things.

A true story: when I lived in Milan, three guys were trying to date me. The first lived opposite a church. He kept telling me how at night its windows glowed with this creepy, devilish light, and he couldn’t sleep because of it. The second told me his favourite artist was Dan

Sundays are for long reads! ✦ Introducing OBJKTOR ✦ Welcome to our newly revamped hub for digital art insights, engaging interviews, and in-depth perspectives. Once known as objkt mag, OBJKTOR now strides forward with a sharper editorial voice and a redefined mission: to

https://t.co/RU1B6RnSgT

Guys, my friend and ex-colleague is organising Focus Digital tomorrow, on 28 November at Santa Monica (Barcelona), from 10.00 to 18.00. I’ll attach the programme below. She kindly offered me several complimentary passes (OMG I’m such an influencer), please DM if you want one,