Jim Geduldick 🎥
@Filmbot
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Visual Effects & Virtual Production Supervisor | Cinematographer at Spaceboy Labs Former @dimensionstudio @dneg @gopro @autodesk @apple
Los Angeles
Joined May 2007
Got to sit down with @badxstudio and dive deep into AI, @UnrealEngine , virtual production, state of VFX & Hollywood - https://t.co/ZKSYYVtk8C
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Reminder to my fellow Special Visual Effects Peer Group @TelevisionAcad voting is open till Nov. 10th to choose our next Governor. It would be my privilege to serve & represent our community and advocate for our craft as your next Governor. You’re Voice matters 🎥🪄
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‘Frankenstein’ Has Always Held Up a Mirror. What Does It Show Us Now? - The New York Times
nytimes.com
In Guillermo del Toro’s new version, the answer lies in how deeply it explores the relationship between creator and created.
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Echo chamber of some of these GENAI demos from Max trying to glorify comp shots with random intercut GEN outputs is not showing the future of the tools or tech capabilities. The shots look like random juxtaposed because tech can demos. They aren’t films they are marketing videos.
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Just a tad sketchy
Microsoft Uses Gamers' Screenshots to Train Gaming Copilot, Enabled by Default https://t.co/xgT2Z8GNDR
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🤔
Today we announced that we’ve formed a strategic partnership with @EA to co-develop transformative generative AI models, tools, and workflows that empower EA’s artists, designers, and developers to reimagine how games are made. You can learn more about our partnership here 👉
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Some updates on OpenAI’s use of likeness in Sora2 and Bryan Cranston’s response to his likeness being used without permission.
SAG-AFTRA, OpenAI, Bryan Cranston, United Talent Agency, Creative Artists Agency and the Association of Talent Agents are collaborating to ensure voice and likeness protections in Sora 2.
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Sunday Scans. Cleaning up some environment scan data for some GSplat processing.
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Hearing RVC tech bros talk like they know anything about filmmaking and get all bent about “messages” to films like PTA’s One Battle After Another is “woke” GTFOH
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Honored to announce my candidacy for Governor of @TelevisionAcad Special Visual Effects Peer Group.
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New anamorphic's, old soul. Running lens calibrations to bring real optical magic into AI(ML/CV), VFX & virtual production. Its wild seeing digital twins and virtual cameras inherit real world lens characteristics.
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Blender 5.0 is in Beta! 🚀 Featuring artwork by @donchuan3d Please take a moment to test your files, update your add-ons, and report any issue you may find by going to Help → Report a Bug. 👉 Download https://t.co/LnRbEMXq5L 📖 What's New https://t.co/tZvWWjz1C1
#b3d
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The director's cut of Ridley Scott's LEGEND is a very different experience from the US version. It's longer, much more surreal, scarier, the characters are more fleshed out, and the score is by Jerry Goldsmith!
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Weirdest gotcha on installing @UnrealEngine 5.7 Preview on another render node and got 250 character error even when the same system has long paths enabled. If you click the Install button faster than it can check it will proceed to install.
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Ese estudio/laboratorio estara credo con talento Mexicano y Latinoamericano para vincular ambos paises. Y ofrecera por una decada estudios sin costo a un animador Mexicano por ciclo escolar.
Guillermo del Toro, Netflix & Gobelins are creating a stop-motion studio-lab in France 🎬 — a new hub for training, research & the future of the craft. Read more: https://t.co/k2k7Ixgm9I
#StopMotion #Animation #GuillermoDelToro #Netflix #Gobelins
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BTS timelapse of my KONG DEATH Shot.Every frame ANIMATORS will live and FEEL these character moments in our hearts.. RAGE,SADNESS,JOY,FEAR. #animation #kingkong #stopmotion #bts #timelapse
#Justinrasch #stuntpuppetpictures #shelrasch #peterjackson #rayharryhausen
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