"Will 'Electric Dreams' blow my mind at Tate Modern?" Art Gallery Explorer's enthusiastic video review! Read the comments too! "This video contains flashing lights and images. Come and explore @Tate Modern's epic survey of art and technology from the 1950's to the 1990's. The

🟪Tribute to Herbert W. Franke 🟪 Namibia project: Computer Science Teacher Starts at OPEN DOORS The foundation thanks all generative artists of the Tribute project making possible this support with their donations As part of the cooperation with Tangeni Shilongo Namibia,

Congrats to @barrylsutton and the acquisition of Evidence #28 by Francisco Carolinum Museum in Linz, Austria! https://t.co/Yd3ZRLqRVR

Why not see this short interview with Anika Meier @postanika from Crypto News, with Dorian Batycka & Anthony Patrick (if you're in a hurry, Anika appears at 3m 59s). Find out what's what.

AI can generate images instantly, but every result is different. You can train your own model, mix images, fine-tune outputs, or even create entirely new aesthetics—there’s endless room for creativity. Photography works the same way: anyone can take pictures with a phone, but

In conversation with Margaret Murphy (@margaretonline), Franziska Ostermann discusses the selfie as a feminist act, the aesthetic power of the color white, and the connection between visual art and poetry. Read the interview 👇 https://t.co/lhwWX0qfnp

🟦 "It's not about choosing between traditional and digital forms; both have their place in our reading and writing experiences. The key is to embrace the diversity of formats available to us, recognizing that each offers unique ways to explore and express ideas." – Franziska

@ExpandedArt @margaretonline Adore this piece ❤️‍🔥

💭 Kevin Abosch, 2023: "The wise artist doesn’t fear emergent technology, but rather asks, 'How can I use this tool in a meaningful way?' What I find so valuable in AI, and deep-learning algorithms in particular, is its power to surface that which I may not have been able to

Learn more about the sold out collection RE: ROAD TRIP by Margaret Murphy 👇 https://t.co/JyVPivKMM4

🟦 DINING CAR from RE: ROAD TRIP by Margaret Murphy. In the collection of @Rrose_Selavy_11.

Learn more about LINE CUBES 👇 https://t.co/2dYX7IzTqE

🟦 LINE CUBE #8 from LINE CUBES by Hans Dehlinger. In the 1980s, Hans Dehlinger created a series of cubes as pen plotter drawings. Almost 40 years later, the now-84-year-old artist returned to this topic, and 10 new cubes, titled LINE CUBES, are emerging from code as

Some pages from Alexander Galloway’s 2004 book “Protocol: How Control Exists After Decentralization” from MIT Press This book had a big influence on me The cover is a photo by Charles Peterson who did all the early album covers for Sub Pop Records. Charles and I went to high

In our Artist Highlight series, we introduce the artist duo Jennifer @JennMcCoySpace and Kevin McCoy @mccoyspace, based in New York, who work with interactive media, film, performance, and installation. Their practice explores how technology, mass media, personal experience, and

Learn more about the sold out collection LOST FUTURES by Anika Meier 👇 https://t.co/kg3YI9OpKP

🟦 LOST FUTURES: SASHA from LOST FUTURES by Anika Meier. In the collection of @sashastiles.

In conversation with Anika Meier, Eldagsen discusses the past and future of photography, the terms post-photography and "promptography" and why he refused to accept the Sony Photography World Award. https://t.co/Ezb0virFvS

🟦 "I see many comparisons in the creative workflow to photography, drawing, and painting. The main difference is my role: As an artist working with AI, I stop being the solo singer and become the conductor of an anonymous choir: The training data of the AI." – Boris Eldagsen

Learn more about the sold out collection IN UTERO by Kevin Esherick 👇 https://t.co/v9PFvC3Bia