Day14 #金馬62 (37/37) 摩洛哥機智生活 Calle Malaga Moment as hilarious comedy-tragedy someone keep mute listening the others' affair. Quite moved if have ever dealt with inheritance of beloved. The ending is good cuz drag back to reality tossing reflection.

Mishima: The Last Debate (2020) This footage suggests who would survive alongwith dreadful comfortably numb life path, Masahiko Akuta or Yukio Mishima. Despite failing in differant way afterwards, their debate shine spark till now.

BP of Golden Horse Award 2025. worth watching, it's the foggy scenery nowadays Taiwanese inherited but still unfamiliar with cuz decades of political silence. appreciate the bright tenderness of the plot since we already heard tons of tragedy among other films.

#金馬62 Day8 (15/36) 香港四徑大步走(Four Trails) I feel the pain. I use similar spreadsheet system dealing with my hiking plan.

#金馬62 Day10 (18/36) 禍禍女 導演Yuriyan Retriever在Q&A說電影基於戀愛經驗發想，發現適合拍成恐怖片。雖是正經恐怖片開場，劇情卻一轉再轉，不變的是觀眾笑聲不斷。 導演本人超有喜感，會隨翻譯同步演起默劇，也會一本正經說幹話(毛都��劇組人員收集來的/童星當時被下降頭)，本人比正片還好笑。

還有主角的博士論文看起來好認真我完全看不懂，好可惜呀！

#金馬62 Day7 (10/27) 第九十三封信之後 Beyond 93 Letters 前一晚在主角家附近聽脫口秀講無假釋無期徒刑，變成毫無期待的一坨肉，沒有人權對重刑犯懲罰過重尚未定論，對一般人是難以承受之重。93封信同判死93次，但窺知手續繁瑣與生活苦痛，證明一個人認真面對人生的堅持。 https://t.co/binIL62OhG

#金馬62 Day8 (14/27) 遼河的士 (Poor Taxi) 耿軍元素都在，但就是少了點靈氣。可能就像大骨湯一熬再熬，添肉加菜，仍無法複製出頭湯麵的鮮甜。 https://t.co/oR48qbR8xB

#金馬62 Day6 (8/23) 盜藝有道 (The Mastermind) A masterpiece if you already fed up with the mainstream heist movies. Otherwise you will be disappointed. Plus the Jazz score is fresh like rain in the shadow. https://t.co/Tvs9OfbCFl

#金馬62 Day5 (7/21) 未來的勝利 (To the Victory!) The audience Q&A session and the so-called sex scenes in the film were both hilarious. Even in the face of harsh reality, Ukrainians have never lost their sense of humor. https://t.co/vmVDbkBJaC

p.s. An audience kept exaggerating the last word of lines; and if you don't know a song, don't sing it—the subtitles rolled "Hallelujah" then this person sung the Handels'. So, I could tell how unbearable to project idol image, and I felt sorry Cohen didn't achieve greater fame.

#金馬62 Day5 (6/21) 傑夫巴克利：曲終未散 (It's Never Over, Jeff Buckley) 看片前對主角一無所悉，他的音樂放到今天來聽仍是悸動人心。映後聽到好多抽泣聲和抽衛生紙聲音。

#金馬62 day4 (5/21) 亂世孤兒(Orphan) 觀影時想起István Szabó 的 Father (我的千面老爸)。 最後摩天輪場景好逼人(稱讚) https://t.co/S1INXvZ4za

#金馬62 day3 (4/20) 我的爸爸是死刑犯(Me and My Condemned Father) 映後的司法講堂好精彩，學到好多新知。 https://t.co/RN9rR8HQuI

#金馬62 第二天參戰，看了兩部争議之作： (2/20) 浮士德之歌 / Yes (3/20) 我15歲，你在乎嗎？/ No dogs allowed. Literally dip a toe in the water ... 這兩部片題材敏感，不好驟下結論，但電影果真能使我們的人生延長三倍。第二部片No dogs allowed我還真看到哭😭

本日第二片。 對最後的高潮反轉期待過高，但不失為演技大賞。 Letterboxd 出圖好應景。

我今年的金馬影展開場。 A slowburn depicting the introverts were too young to deal with the inevitable loss or malicious until grown up. Sunset bike riding scene hit me. Like impressionism painting, life required years of stroke before understanding the beauty from a rear sight.

基於看過本片，先退訂好不容易搶到類似題材的電影"把靈魂放在手上行走" (Put Your Soul on Your Hand and Walk)。我的行程實在爆炸，碰到電影衝堂只能放棄了🫠

懸念一整個禮拜😭 PITCHING TO THE END #LoveDesignEP6

想想我蠻誇張的。 飛日本扛10幾公斤爬山，完全符合‘’匆匆忙忙連滾帶爬‘’ (好吧沒有"滾"但冒雨露營翻來覆去躲積水，或走錯去了險路)。 心上難忘風景往往在小瑕疵上。像睡墊漏氣，五公分是夢鄉與地獄的垂直距離，一再冷醒崩潰吹氣，逗得剛結識的日本大姊大笑。雖萍水相逢，讓我随之大笑的光景會留下來。