
Emily Nussbaum
@emilynussbaum
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New Yorker staff writer. Books: "I Like To Watch" & “Cue The Sun!: The Invention of Reality TV." I’m not here— Find me at Bluesky/Insta: emilynussbaum
Joined January 2008
Gonna maintain this cursed account for voyeuristic purposes but will no longer post here— I should have ditched a long time ago, but have never been known for my self-control. You can find me on Bluesky (which seems to be popping!), Threads and Instagram, under the same name.
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I had a blast pulling an all-nighter with Jesse Eisenberg and Meredith Scardino while they magically speed-wrote a musical:
newyorker.com
The “Real Pain” director teamed up with the TV writer Meredith Scardino to compete in the 24 Hour Musicals, for charity. Their muse? A West Elm lamp.
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My essay about the brilliant, pioneering & shockingly forgotten showrunner-pioneer Gertrude Berg, who invented the family sitcom (pre-Lucy!), then got eaten by the blacklist in the 1950s — a story with disturbing modern parallels .
newyorker.com
Gertrude Berg’s “The Goldbergs” was a bold, beloved portrait of a Jewish family. Then the blacklist obliterated her legacy.
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RT @NewYorker: In 1951, Gertrude Berg, the creator behind “The Goldbergs,” won an Emmy and was poised to become one of TV’s greatest lumina….
newyorker.com
Gertrude Berg’s “The Goldbergs” was a bold, beloved portrait of a Jewish family. Then the blacklist obliterated her legacy.
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RT @NewYorker: @JenLouiseWilson @EyalPress .@emilynussbaum remembers Gertrude Berg, the first “showrunner” of any gender and a life-style i….
newyorker.com
Gertrude Berg’s “The Goldbergs” was a bold, beloved portrait of a Jewish family. Then the blacklist obliterated her legacy.
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“Last Wednesday, as I watched Grok bring up white genocide in response to an anodyne query about the Toronto Blue Jays pitcher Max Scherzer’s career earnings, I couldn’t shake the question: Why are people still using this website?”
theatlantic.com
Imagine if your favorite neighborhood bar turned into a Nazi hangout.
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Warning: this Mari Heller profile contains two (2) bad dreams, a sky that turns orange, methods for directing cute toddlers, Amy Adams, Maria Bamford, a Weird Al deep cut, marital strife related to SNL & a Sharon Olds poem containing the word colostrum.
newyorker.com
With “Nightbitch”—in which Amy Adams turns into a dog—the director portrays parenting as a visceral transformation.
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RT @NewYorker: @samanth_s @jengonnerman .@emilynussbaum profiles the director Marielle Heller ahead of the release of her new film, “Nightb….
newyorker.com
With “Nightbitch”—in which Amy Adams turns into a dog—the director portrays parenting as a visceral transformation.
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My profile of the sharp, insightful director Marielle Heller (Diary of a Teenage Girl, Can You Ever Forgive Me?, Beautiful Day in the Neighborhood), whose newest movie Nightbitch comes out in December:
newyorker.com
With “Nightbitch”—in which Amy Adams turns into a dog—the director portrays parenting as a visceral transformation.
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RT @michikokakutani: “Totalitarianism in power invariably replaces all first-rate talents, regardless of their sympathies, with those crack….
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RT @KirkusReviews: The 2025 #ALA_Carnegie Medals for Excellence shortlist has been revealed, including works by Percival Everett, Kaveh Akb….
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RT @JuddWinick: Pedro Zamora died 30 years ago today. I’ve been thinking about this post for awhile, and I had hoped/assumed it would be a….
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RT @MPLSKerrBear: People can analyze, hypothesize, blame Dems till they are blue in the face. None of it matters. This is the game right….
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RT @annkpowers: So sad. Please read her writing. She brought so much power, vulnerability, courage and love to the literary world. One of t….
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RT @tv_scholar: FX on Hulu's SAY NOTHING is phenomenal, one of the best shows you'll watch this year. My thoughts for my monthly "Appointme….
thecut.com
There haven’t been many shows that look at this period of Irish history in such an unwavering way.
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