Volume 27 Issue 4 is now out in print! 🧵.

RT @FFemicom: Nos vamos de vacaciones con el súper paper que se ha marcado @ehandreu en @EJCS_Journal . ‘Were they nice people? Were they a….

RT @AmysImaginarium: 🔮Step into AI Séance! Where artists, technologists & spiritual practitioners meet generative AI in ritual settings ✨….

RT @JohnVilanova: New Pub alert -- 'The music business case for diversity: Multiculturalism, pop music and the 1990s,' in @EJCS_Journal!. L….

RT @race_in_britain: Short piece with @JamesKneale & Vallu for @PointsHistory summarising & expanding arguments we made in our paper for @E….

RT @SimonJohnWeaver: Really pleased to share this new article, written with Sharon Lockyer, where we examine intersectionality in stand-up….

Why is being a victim such a potent identity today?. Read @kat_hig's #bookreview of "Wronged: The Weaponization of Victimhood" (@ColumbiaUP) by @chouliaraki_l here:

“Refugee Voices: Performativity and the Struggle for Recognition” (@Routledge_MandC) by @_robsharp explores how participatory creative production allows refugees to be recognised in emotional, legal and social ways. Read the #bookreview by @mmmzsk here:

Drawing on qualitative interviews and ethnographic research, this article by Jiayixiu Zhao and @yimeizhu aims to understand Lolita participants’ perception of Lolita dressing culture and their experience with the Lolita online communities. Read here:

In “Performing Fear in Television Production” (@AmsterdamUPress), @xiaorongfong turns to the lived everyday of media producers in Singapore to explore what it takes to perpetuate authoritarian resilience in the media. Read the #review by Howard Lee here:.

RT @DeptMediaLeic: New article authored by student and staff in Media&Comm:.'Need for belonging: Exploring subcultural identity in the Chin….

In "Anokha emerging: The Asian Underground, new ethnicities, and diversity conservatism", @rikjaz (@ucl) places British-Asian club and music aesthetics in a broader terrain of avant-garde cultural production and representational politics. #OpenAccess

RT @kat_hig: It was a pleasure to write this review of @chouliaraki_l’s brilliant new book Wronged: The Weaponization of Victimhood for @EJ….

RT @chouliaraki_l: Wow! Brilliant reflection on Wronged in @EJCS_Journal.@kat_hig 🙏.Wronged opens new ways of thinking about the centrality….

From ‘girlboss’ to #stayathomegirlfriend: @IOJ_Sykes (@bruneluni) argues that the romanticisation of domesticity on @tiktok_us ultimately serves to exacerbate the societal disavowal of social reproduction labour under neoliberal capitalism. #TikTok

To render the asymmetries in air pollution exposure not only visible but sense-able, this article by @LouiseRondel (@GoldsmithsUoL) draws on a mobile, emplaced and embodied methodology of walking and cycling through #London.

"Pansy asses and terrorists": In this #OpenAccess article, Heidi Kosonen (@uniofjyvaskyla) and @LofRiku (@HelsinkiUni) analyse anti-environmentalist speech and actions against @ExtinctionR in Finland through the concept of ‘toxic speech’. Read here:

RT @xiaorongfong: "The contemplative vividness of Performing Fear lends significant depth of discussion that renders it an important additi….

Waiting for the results of the US #Election2024? This might be a great time to (re)read Eeva Sointu and David W Hill’s “Trump Therapy” and Neil O’Boyle’s “WhatsAppening Donald” in our digital archive. Both #OpenAccess here & here

A book with “vast implications for a deepened understanding of Hong Kong popular music”: . Yiu-Wai Chu reviews “‘It’s My Party’: Tat Ming and the Postcolonial Politics of Popular Music in Hong Kong” by Chow Yiu Fai, @JeroendeKloet and Leonie Schmidt.

RT @ronpatz: What happens when the skills & stories of older rural women are translated into superheroine stories?. Powerful research by Be….