Dark Ruins - a Free Unreal Engine sample available for download on Fab. This is the first time I've Art Directed a large project like this with a full art team, and I'm so, so happy with how it turned out - all thanks to the amazing team that worked on it

Working on the Megalights demo for Unreal Fest was an absolute blast - working with a phenomenal team and using game changing tech! MegaLights gave me the same type of feelings as Nanite did when I first tried that.

Electric Dreams UE5 En is now available for Download! SUPER excited to share this with you all. This project was a BLAST and a MASSIVE team effort. I'm so, so proud of the result. ❤ #UnrealEngine5 #megascans #artstation #art #3dart #gameart #gamedev.

Happy #PortfolioDay everyone! @ArtStationHQ.

Links to the other wonderful people who worked on the other scenes of the project:

Here is the official Ninety Days video release:

You can see more of the scenes and their breakdowns here:

Screenshot Saturday! A few screenshots from some of my scenes for 'Ninety Days' just published! #UE5 #ScreenshotSaturday #UnrealEngine5 #UnrealEngine #megascans

This environment was the one I was both looking forward to the most and dreading the most. #ue5 #megascans #gamedev #gameart #gamedevelopment.

If you've followed by art for any amount of time you know I'm a huge sci-fi fan, and I've made my fair share of sci-fi corridors in my career so far. This one was a real blast to work on as it wasn't just your regular ol', static corridor, #ue5 #megascans.

This environment went through quite the journey. It started out as a mix between a WW1 no man's land with big robots but then turned into a more historically correct version. #ue5 #megascans #gameart #gamedev.

Out of all the environments I made for Ninety Days I think this is the most basic one. It's just a static environment, but what was fun about this one was telling the story with the environment using Megascans assets. Hopefully the story comes across!.

This was probably the fastest and easiest environment of the ones I made for Ninety Days. The Megascans library had everything available for me so it was really just like building legos. #ue5 #gamedev #megascans #gameart.

I think this scene is my favourite out of all the scenes I made for Ninety Days - not because it's the most realistic of pretty out of them, but because of the sheer playfulness and how alive it feels. #ue5 #megascans #gamedev #gameart.

This was the first scene I made for Ninety Days and it gave me a great opportunity to try out the new trees added to the Megascans library. I haven't created many forest environments so this was a fun one, for sure! #ue5 #gameart #megascans #gamedev.

Now, this one was a challenge! Creating several small biomes inside of a sci-fi environment with a realistic closeup for a forest floor isn't something I do every day! #ue5 #gamedev #gameart #megascans.

This is another one of the more animation-heavy scenes I made for Ninety Days. Animating both the camera and the motorcycle handle and have them play together nicely without making the viewer car sick was a huge challenge! #ue5 #megascans #gameart #gamedev.

I'm very happy with the way this one turned out. Bordering between realism and almost a painterly feel. The lighting was quite the challenge as the environment is located in a chasm or a cave with an open ceiling and the lighting is overcast. #ue5 #gameart.

I had an absolute blast with this one! The environment is incredibly simple and consists of just 1 Megascans asset. What was challenging about this one was the animation. I've wanted to do a flight animation like this for a long time. #ue5 #gamedev.

I approached this environment like a painting and I used quite a bit of traditional renaissance environment paintings as a reference both for colors and composition. #ue5 #megascans #gamedev #gameart.