The Post’s year-long investigation found that three times as many Native American students had died at boarding schools between 1828 and 1970 as the U.S. government had previously reported.

Photo winners of the Nikon Small World photo competititon reveal the art and wonder of micro science.

Working alongside fellow Philadelphia Inquirer reporter James B. Steele, he exposed inequities in federal tax laws and corruption by public officials.

At the New York Times, Mr. Burnham revealed deep police corruption and whistleblowers such as Frank Serpico fighting the culture of abuses.

Roland Allen’s “The Notebook” chronicles the vital role notebooks played in the achievements of luminaries like Erasmus, Charles Darwin and Agatha Christie.

Lillian E. Pharr was the oldest living Washingtonian until her death last month. It was her unstoppable painting, travel and studies that kept her going to 109.

The former Wall Street Journal writer set off on a trek from Capitol Hill to Manhattan in 2021 that became an affirmation of hope in a divided nation.

Refik Anadol’s AI-assisted installation at the Reach is an impressive audiovisual show — and can’t help but feel a little removed from Dvorak’s works.

Age grants us permission to be curious about every ordinary day.

Science shows that our brains synchronize to music, even making us more empathetic — could it help us resolve conflict?

The “DC Comics Style Guide,” created in 1982, streamlined how DC’s characters appeared on merchandise. The collector’s item is now being reissued.

The celebrated author of “Ghost,” “Long Way Down” and other titles for young readers walks us through his eclectic collection of books and literary artifacts.

Artist Edgar Reich’s romance with the writer’s mother didn’t survive the Holocaust, but remarkably, his drawings and watercolors of their relationship did.

Kristen Faulkner came to the Paris Olympics with a focus on winning with teammates on the track. Then she went for a Sunday spin on the road.

For two decades, the Swiss skier tackled some of the most difficult mountain faces around the world. “If you are afraid,” he said, “it’s over.”

Listen, and you will hear from them the exquisite chime of life.

‘Jenny Holzer: Light Line’ at the Guggenheim surveys some six decades of the conceptual artist’s bracing, text-based art.

His store, in suburban Maryland, became an informal center of the Washington area’s music scene.