Cristina Formenti
@CristinaForm
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Lecturer in Film Studies at University of Groningen. President of the Society for Animation Studies. Author of The Classical Animated Documentary
Joined October 2010
Exciting news! @BloomsburyMedia
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Our Research Colloquium is back! Join us for an exciting talk by Dr. Christopher Holliday (King’s College London) titled "Imitation of Life: Likeness and ‘Smartness’ in the Digital Replication of Celebrity". 📍Expositieruimte, Harmonie Building 🗓Tuesday, 16 September, 18:00
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Next Monday, 8 September at 19:00, Dr. Cristina Formenti introduces Agnès Varda’s celebrated environmental documentary Les glaneurs et la glaneuse at @forum_groningen. This screening is part of Forum’s Varda retrospective — check the Forum's website for the full program.
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Check out a new book chapter by our colleague Cristina Formenti, titled "Carbon: The Unauthorised Biography (2021) and the Route Towards an Environmentally Ethical Eco-Documentary." It explores how production methods developed during COVID open a path toward ethical eco-docs.
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Studying or researching documentary film and TV? Our new subject guide on Screen Studies has got you covered, bringing together eBooks, articles, case studies and more. Download the documentary subject guide here: https://t.co/c9vTonYAHi
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Congratulations to prof dr Annie van den Oever and dr Cristina Formenti (@CristinaForm) for winning the runner-up place for best edited volume and best article (respectively) at this year's British Association of Film, Television, and Screen Studies Conference!
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Excited to share that Cristina Formenti (@CristinaForm) has contributed to 'Flee: A Docalogue', ed. by Jaimie Baron and Kristen Fuhs. Her chapter situates Flee within established modes of animated documentary, highlighting its place within the broader context of European cinema.
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We continue our course spotlight with 'Animation in the Digital Age'! This course explores the artistic and cultural significance of animation today, introducing students to key forms, techniques, and theoretical debates.
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Were you a student in 2024? Did you write an unpublished paper in 2024? If so, consider submitting your work to the Maureen Furniss Student Paper Award. Details can be found at https://t.co/Q158tPcxYN (deadline is March 17, 2025).
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This chapter is part of the open-access collection 'Italian Contemporary Screen Performers' (Palgrave, 2024), which Cristina co-edited. It explores the star persona of Italian A-lister Paola Cortellesi, focusing on the evolution of the role of feminism in her public image.
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New publication! Our colleague Cristina Formenti has recently published an essay titled: “Paola Cortellesi: Artistic Versatility, Gender Equality, and the Use of Promotional Interviews in the (Re-)Negotiation of a Star’s Image.”
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Our colleague Cristina Formenti has curated her Best of 2024 list, showcasing the top animations of the year. A must-see for all you animation lovers out there!
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We are delighted to announce publication of our most recent Open Access title, Italian Contemporary Screen Performers: Training, Production, Prestige. Follow this link for FULL ACCESS: https://t.co/8FnhP0Fnmj
@luca_barra @CristinaForm @MpPoppins @fzibibbo
link.springer.com
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It is only October 12 and Santa Claus can already be spotted in Milan 🤔
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In the feature article "The environmental footprint of animated realism", @CristinaForm calls for the introduction of green protocols capable of stimulating production solutions for reducing creative waste and the squandering of resources. #OpenAccess: https://t.co/SLonpynaIw
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Congratulations to author Cristina Formenti! @CristinaForm The Classical Animated Documentary and Its Contemporary Evolution is out now in paperback:
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During the conference reception tonight, we celebrated the work of Animation Studies legend Alan Cholodenko. #sas2024 #sas35 #animatingchange @UNSWADA
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