corey in the house
@CoreRiff
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my box office ticket, my choice mom!
Pixar's Domee Shi on original animated films. "It’s hard. ELIO got massacred at the box office, even though audiences who saw it loved it. The question is how to push original theatrical films through all the noise. I’m hopeful, though. Maggie’s film (KPOP DEMON HUNTERS) gives
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I'm telling you guys, it's all Funimation's fault
One of the worst aspects of Digital Circus is the voice acting ngl, rewatching the pilot and the way these characters talk feels like a wannabe voice actor trying to imitate the real Digital Circus voice actors except they are the real Digital Circus voice actors
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croppedslop
The Disney Kids Youtube channel has uploaded another full episode of “Goof Troop” for FREE. https://t.co/y5Cgl5Qar1 The episode being "Talent to the Max" #GoofTroop #DisneyAfternoon35
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ironic that the "uncensored" version is literally one long censor bleep
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the universal "2nd-gen Canadian child born to immigrant parents" experience is understanding the native tongue but only being able to speak it if a sentence is 5 words or less
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I say 5 because on that same trip I recall being at an uncle's house watching Krypto on CN, with those Prefuse bumps A few years later we visited for Christmas and I caught that Foster's special with imaginary Santas. Oh, and the Grandma one. That one was simply unavoidable
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remembering being in Jamaica at no older than 5, watching SpongeBob and KND back-to-back on the same public station
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you'd be surprised how many problems in life simply boil down to 1) finding the causes, & 2) identifying what end up being really simple solutions even if the solution is way easier said than done, you won't believe how motivated you become just from wanting to see that outcome
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if you value your time at all, "I cannot BELIEVE he said that"-type tweets of any kind will not be posted on your account past today. you know exactly what you're in for
Enter is playing you guys for a fiddle lmao. from the video titles alone, it's apparent that he's literally only positively commenting on the shows that are too big for him to do The Shtick with
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Enter is playing you guys for a fiddle lmao. from the video titles alone, it's apparent that he's literally only positively commenting on the shows that are too big for him to do The Shtick with
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RETVRN
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he knows this kind of shit is the only way people will watch and apparently it's working
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the exec who oversaw Nicktoons left by the mid-10s and wasn't replaced, so we can infer it was just the main Nick on-air team running it so by 2018, instead of the whole 8-bit neon dubstep thing, we got a more streamlined look and house music blasting in every ad
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now a lot of people didn't (and still don't) like look they went with after but I think it works a lot more when it's actually used on action shows seems like the team conceived it to ride the wave DBZK kicked off, only for Nick to just abruptly give up on action/anime entirely
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