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Photobook: Christine Furuya-Gössler, Photographs (1978-1985). A sensitive archival study of the photographs of Seiichi Furuya's wife, whose life was cut short by suicide. (Winston)

Daybook: The enveloping scale of decommissioning a reactor vessel. Thomas Struth (from 2009) in the BIG FUN group show at 601Artspace.

Daybook: The muscular gesture of a knife throw. Jeff Wall (from 2008/2019) in the BIG FUN group show at 601Artspace.

Daybook: The massive ordered scale of a North Korean event. Andreas Gursky (from 2007) in the BIG FUN group show at 601Artspace.

Daybook: The ghostly form of an airplane. Vera Lutter (from 2006) in the BIG FUN group show at 601Artspace.

Edward Burtynsky at @ICPhotog - ★★☆ - An insightful retrospective look at how the artist's early aesthetic ideas and experiments were merged into a deeper sense of global photographic activism.

Daybook: The warm glow of hazy afternoon sun along the river. Elger Esser (from 2019) in the In Sequence group show at Bruce Silverstein Gallery.

Daybook: A taxi driver self-portrait with a flirty passenger. Ryan Weideman (from 1997) in the In Sequence group show at Bruce Silverstein Gallery.

Daybook: The controlled progression of a sidewalk pedestrian. Aaron Siskind (from 1944) in the In Sequence group show at Bruce Silverstein Gallery.

Photobook: André Viking, Hello "Soul Mate". Crafting a wryly autobiographical story out of family snapshots. (Andrews)

Daybook: The elegantly elongated form of a body lying in the grass. Mark Steinmetz (from 1996) in the Celebrating 30 Years group show at Yancey Richardson Gallery.

Daybook: Spotted leaves collaged into interlocked layers. Sandi Faber Fifield (from 2020) in the Celebrating 30 Years group show at Yancey Richardson Gallery.

Daybook: A single dandelion amid cascading flares of light. Bryan Graf (from 2008) in the Celebrating 30 Years group show at Yancey Richardson Gallery.

Daybook: The scratched patina of a chalk-encrusted blackboard. Andrew Moore (from 2013) in the Celebrating 30 Years group show at Yancey Richardson Gallery.

Sheida Soleimani at @ICPhotog - ★☆☆ - Applying an innovative visual language of collage and assemblage to the stories of her Iranian-American family.

Daybook: Appropriated bodies from vintage gay pornography, printed on tactile copper sheets. Jonah Samson at CLAMP.

Daybook: Wistfully leaning under a willow tree. James Bidgood (from 1965/later) at CLAMP.

Daybook: Staging the photographer Pola Esther in front of some of the museum's painted panel doors. Tina Barney (from 2016) in the Cow Tales group show at the Florence Griswold Museum.

Photobook: Genesis Báez, Blue Sun. Investigating the artist's own diasporic history, by visualizing invisible connections between female family members, sounds, mirrored reflections, and other sensory moments.

Daybook: Scavenged moon images sorted with a purple filter. Penelope Umbrico (from 2017) in The First Circle: Radical Humanism at Microscope Gallery.