Cinema Scope
@CinemaScopeMag
Followers
24K
Following
2K
Media
1K
Statuses
13K
Our first TIFF podcast is now live! Listen as Blake Williams is joined by Mark Peranson, Daniel Kasman, Darren Hughes, & Edo Choi to discuss the state of TIFF, as well as new films by Alexandre Koberidze, Claire Denis, Lucrecia Martel, & Gianfranco Rosi. https://t.co/glTbvQQxrq
moiree.transistor.fm
Blake Williams is joined by critics Mark Peranson, Daniel Kasman, Darren Hughes, and Edo Choi to discuss the first three days of the 2025 Toronto International Film Festival, including:- Alexandre ...
0
7
26
In 2016, TIFF's essential @WVLGTHS had 15 features, 4 shorts programs and 5 installations. This year, it's just 8 features, 3 shorts programs and zero installations. For @globeandmail, it's @CinemaScopeMag on TIFF's incredibly shrinking section. #TIFF50
theglobeandmail.com
Yes, the works showcased can be ‘experimental.’ But we should welcome the unexpected
0
2
14
ECCE MOLE @ NYFF Sept 27 1:30pm Sept 18 8:15pm Oct 1 3:45 pm https://t.co/833eDvEwke
filmgalerie451.de
Photography and beyond – Part 36.“Earlier I walked past the Mole Antonelliana, perhaps the most brilliant work of architecture ever built - strangely, it has no name - as a result of an absolute
0
1
7
Pleased to announce Ecce Mole World Premiere New York Film Festival Currents A Film by Heinz Emigholz Italy, 2025, 28 minutes Photography and beyond – Part 36 Two Buildings by Alessandro Antonelli (1798 - 1888)
1
4
20
Director: Heinz Emigholz Cinematography and Editing: Heinz Emigholz, Till Beckmann Original Sound Recording: Ueli Etter Music: Kreidler Sound Design and Mix: Christian Obermeier, Jochen Jezussek Postproduction, VFX: Till Beckmann Producers: Heinz Emigholz, Mark Peranson
1
0
3
Pleased to announce Ecce Mole World Premiere New York Film Festival Currents A Film by Heinz Emigholz Italy, 2025, 28 minutes Photography and beyond – Part 36 Two Buildings by Alessandro Antonelli (1798 - 1888)
1
4
20
BACK HOME (Tsai Ming-liang) | North American Premiere Tsai Ming-liang’s new feature documents DAYS star Anong Houngheuangsy and his home village in Laos, an atmospheric series of landscapes on which the filmmaker exercises his uncommon talents for color, space, and movement.
1
13
51
Signed copies of Textur #7, the latest edition of the Viennale’s ongoing monograph series, will be available throughout our Roberto Minervini retrospective, running from tomorrow through June 23 @2220Arts and @BRAINDEADLA! Co-presented by @mubiusa! 📖 https://t.co/Nt8Pc6zmsr
0
4
4
Heard the sad news about Brian today and thought about all the years I’ve been listening to him and admiring his genius. Rest in peace dear Brian.
505
8K
78K
“Minervini is a filmmaker, not an activist, or maybe it’s more appropriate to call him a magician. Because what he is doing is in fact magic.” —@CinemaScopeMag Details for our Roberto Minervini series are now online: books, totes, guest moderators & more! https://t.co/Nt8Pc6zmsr
0
5
12
Incompletas: 🇧🇷 Cinemim https://t.co/NPofKQW2O1 🇨🇦 Cinema Scope https://t.co/4y8fCNY8SC 🇵🇹 Cinegrafia https://t.co/hcwXGWK8TO 🇵🇹 Cine - revista mensal de arte cinematográfica https://t.co/pmxQHSGYLU
1
1
7
Podcast #3! Blake Williams, Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, and Pedro Emilio Segura Bernal discuss THE PHOENICIAN SCHEME, THE SECRET AGENT, IT WAS JUST AN ACCIDENT, MAGELLAN, HIGHEST 2 LOWEST, ALPHA, and THE LOVE THAT REMAINS. https://t.co/iW6WUrV5Xy
0
6
14
The 2nd @heyMOIREE critics' podcast from #Cannes2025 is live! Listen as I wax poetic about Richard Linklater's excellent NOUVELLE VAGUE. With: Blake Williams, Mark Peranson, Flavia Dima, me, Öykü Sofuoglu, Vadim Rizov, and Pedro Emilio Segura Bernal.
0
6
17
Cannes Podcast #2 is LIVE! Blake Williams is joined by Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, Vadim Rizov, and Pedro Emilio Segura Bernal. Listen as they discuss SIRÂT, NOUVELLE VAGUE, DIE MY LOVE, MIRRORS NO. 3, and EDDINGTON. https://t.co/mja9tlptdR
0
10
21
Put together a website to index some criticism/research, which reminded me again that I no longer get to write for @CinemaScopeMag every few months. Still, I'll always be grateful to folks like Mark and @AADowd for the professional encouragement as I was just starting to write.
0
1
32