Robert Wilson
@BobWilsonNYC
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Since the 1960s, Wilson's productions have shaped the look of theater and opera, with their signature use of light and the classical rigor of designs.
New York
Joined April 2022
Robert Wilson Memorials *** Registration for the MILAN MEMORIAL (Dec. 1, 6:30PM, Piccolo Teatro Strehler) is now open at https://t.co/RFm8H2zB91 . *** For the BERLIN MEMORIAL (Nov. 23, 3:00 PM, Akademie der Künste) we have started a waiting list due to the overwhelming demand.
robertwilson.com
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Registration for the Robert Wilson Memorials in Paris (Nov. 7) and Berlin (Nov. 23) is now open at https://t.co/2JdI6VaMTS - It may take a few days before you receive an e-mail confirmation for your seats (or waitlist confirmation).
robertwilson.com
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On Not Saying Farewell to Our Friend Robert Wilson Slide 2: Portrait by Annie Leibovitz; Slide 4: 1992 painting by Robert Wilson titled, “Alice”
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Summer/Fall 2025 - Robert Wilson - https://t.co/VbYxyHXCG8: HAMLETMACHINE in Huichang; Chairs in East Hampton; MOTHER in Milan; TURANDOT in Vilnius.
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The #DiorAW25 show is live at 3pm CET today right here on X, when you can discover how Robert Wilson interpreted 'Orlando' for the unveiling of Maria Grazia Chiuri's collection. Tap the card to watch. © Video: Mélinda Triana Special credit: Robert Wilson & The Watermill Center
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With her #DiorAW25 opening looks, Maria Grazia Chiuri laid the foundation for evocations of the eras- and gender-crossing character of Virgina Woolf's 'Orlando' while referencing her Dior predecessors. Tap the card for more. © Special credit: Robert Wilson, The Watermill Center
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@BobWilsonNYC, artist and master in the creative use of light, explores his unique approach to light as a geometric force composed of straight and curved lines capable of shaping the space. 👉 Discover more here: https://t.co/r4wmLsEfLS
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‘Mary Said What She Said’ Review: A Hypnotic Huppert
nytimes.com
In this Robert Wilson production, Isabelle Huppert is everywhere onstage, all at once, reciting a nonstop script that may well touch on everything.
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