Space Cowboy | VGen COMMS OPEN
@BattyWanderer
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Sayori appreciator and Tokusatsu fan. I draw, kinda. See you, Space Cowboy! COMMISSIONS OPEN!: https://t.co/CrGiXt334f
Kamurocho
Joined December 2015
Art thread, 2025! btw I'm also still open for commissions over at https://t.co/ukT3rthlmf (slots dependent)
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I think I took a million screenshots of this movie
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Just saw this ep, it was great. Second half of Omega is off to a good start
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Kinda crazy Ultraman Omega was capable of brining up Kenta Nitta, the current Suit Actor of Kamen Rider Zeztz I know things are done earlier, but still having a fresh new KR serie when your is airing must haven't been easy to find a free schedule for him
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no, i don't think so
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#Ultratober2025 #Ultratober Day 12: Glass This one's slightly rushed but I'm still happy I got to make some RoU fanart at last
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@DokisFish "Why are you tm opera o?" "Why are you not" Is one of the most opera o things to ever be said
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I was BORN for this role
This clip has now permanently altered how I hear TM Opera O in my head Thanks Rin Penrose
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This clip has now permanently altered how I hear TM Opera O in my head Thanks Rin Penrose
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❤️
Peach Momoko's Ultimate X-Men run ending is almost like our generation's version of Chris Claremont leaving the X-Men Her run, and how it amazingly reinvents the X-Men, will be remembered & discussed in the same vein for many, many years
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Here is the secret 12th guy i wanted to draw disco elysium style mana sumidaaaa #bandoriart #bangdream #AveMujica
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This particular race was hype as fuck, so many things went wrong for me at first - late start, rushed, etc but then Vodka saw there were two Daiwa Scarlets, locked the fuck in and went "Yeah I could take them"
good mornin' Group B round 1 proving to me much more merciful as usual
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good mornin' Group B round 1 proving to me much more merciful as usual
it's fucking rough out here, man I thought the Umas I trained would at least be good enough to nab some wins here and there but good golly the competition is just so fucking strong
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Filipino filmmakers are making terrific work. They need support from the government and private institutions. They need eyes and ears from local audiences. If we champion them, they can make films that resonate without sacrificing themselves. We have to invest in sustainability!
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