My NY Baldwin baby is back for one night 🫶🏿

As Kyle states, this is a psychoanalysis of SINNERS the film, not Ryan the man (and Kyle has access to one and not the other). Ryan's motivations are for him to know and him alone. But THRILLING to see a work of art engaged the way folks are engaging this fantastic film 🖤

THIS is a VERY interesting read👇

I’m the host and producer of this documentary about the Mississippi Delta Chinese video & also cultural consultant on @SinnersMovie! Ryan Coogler and his team were meticulous about the details—truly an honor to see nonfiction enter the fiction space in this spectacular way.

OH MY GOODNESS ALIJAH MARTIN POSTER 😱 #MarchMadness @GatorsMBK

Don't miss two FREE events at #NYFF62 today, both in the EBM Amphitheater! At 6pm, a free talk with NICKEL BOYS director RaMell Ross in conversation with @BarryJenkins. At 8pm, win FREE tickets to #NYFF62 & much more at a special #NYFF62 edition of #CinephileGameNight.

Signal boosting because Alice Tully's converging lines make for perfect Academy Ratio viewing and, given the way RaMell & DP Jomo Fray lean WAY into the formalism of NICKEL BOYS being every bit as invigorating as the history they're dismantling, this is THEE screening to see it

As well, on Sunday I'll be HUMBLY moderating a conversation with RaMell Ross about his work here in NICKEL BOYS and elsewhere as part of the NYFF Talks series, free and open to the public 6pm at Elinor Bunin - see you then? https://t.co/GZXLKNOVUh

NICKEL BOYS is stunning. Like... STUNNING. Seeing it twice this week, so THAT stunning. A leap forward in adaptations of literary interiority. Rated PG13. A sign of the GREAT care RaMell took with this material🙌🏿 NICKEL BOYS |OfficialTrailer https://t.co/IJDt9iogy9 via @YouTube

Learn why these women are choosing Waymo over traditional ride-hailing services and say they feel much safer.

Forever and always 🖤

My my my cannot wait to see this!!! Between this, ON BECOMING A GUINEA FOWL, PIANO LESSON, BLKNWS: TERMS & CONDITIONS (Kahlil's magnum opus, a deeply emphatic film) and JIMMY, the next six months is 🔥🔥🔥🔥🔥

https://t.co/IXepCTeTbc

I've seen this film. Malcolm gave himself fully to this, takes the stage play to another realm. It is not a play on film. It is August Wilson posited on an astral plane. As he should. Believe what you see here. Because it's been weeks and I have not been able to shake this film.

UATX will never charge tuition. And we will never take government money. Here's why. Graduates spend decades shouldering debt for hollow credentials. This debt influences every decision they make: What job to take. Where to live. When to marry. When to have children. Some will

Who on earth made the decision to move Kerley to anchor? Coleman has been handing it off to Kerley for like 4-5 years at major championships, and we have a history of not getting the stick around. Why change the whole relay completely? Terrible coaching choice.

Olympic 400m champion Quincy Hall (@QuincyHall400) kept his eyes on the prize and it paid off. #ParisOlympics

Finally 👑

OH WOW. 🤩 Simone Biles just NAILED this vault in the final! #ParisOlympics 📺 NBC, E! and Peacock

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In which I sit down with journalist Edward Mendez for his first interview ever and… the resulting conversation, which happened over a month ago so reads very fresh to me, has the spark of a genuine and open bit of communion 💆🏿‍♂️

Proud to share my chat with Barry Jenkins (@BarryJenkins) about the @Criterion release of The Underground Railroad. @TheBrooklynRail https://t.co/jksSx1biXh

As the director Barry Jenkins' 2021 masterpiece "The Underground Railroad" makes its Criterion debut, Jenkins looks back on his first TV series, Amazon's controversial original release, and the unique power of long-form storytelling: https://t.co/u3UsoiJeT7