Apollo Magazine
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The International Art Magazine. Published monthly since 1925, we cover everything from antiquities to contemporary work
London - Westminster
Joined November 2010
Contemporary galleries are increasingly bringing art into their surroundings via trains, trucks and even bicycles – but moveable artworks have a surprisingly long and storied history, writes David Gelber https://t.co/b7R1WGHLBq
apollo-magazine.com
Contemporary galleries are increasingly bringing art into their surroundings – but moveable artworks have a surprisingly long history, writes David Gelber
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At the Eye Filmmuseum in Amsterdam, Tilda Swinton has turned herself into a work of art, with a little help from her friends https://t.co/Fbp9hAo7Mm
apollo-magazine.com
In Amsterdam, Fatema Ahmed finds a superstar of art-house cinema haunting the galleries of the Eye Filmmuseum, with a little help from her friends
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Christina Makris has faith in a Bordeaux vineyard first planted by priests, where wine tastings are paired with woodcuts by Dürer https://t.co/BTw3qkVW0s
apollo-magazine.com
The presence of religious art at Château La Mission Haut-Brion helps this diminutive vineyard punch above its weight, writes Christina Makris
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How to get a glimpse behind the mask of ancient Egypt? Seek out the artisans of the royal tombs and other marvels – as Sophie Barling did ahead of ‘Made in Ancient Egypt’, on show at the Fitzwilliam Museum in Cambridge https://t.co/HLtExcbJu6
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In the 16th century the French city of Limoges breathed new life into the medieval art of enamelling – and the results were spectacular, writes Susan Moore https://t.co/LVDY58lDUT
apollo-magazine.com
In the 16th century Limoges breathed new life into the medieval art of enamelling objects – and the results were spectacular, writes Susan Moore
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We are delighted to announce the shortlists for the 2025 edition of the Apollo Awards. The winners will be announced at a ceremony on 20 November and published online and in the December issue of the magazine. View the shortlists here: https://t.co/HGkaYF12tD
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‘Late Night with Seth Meyers’ took an unexpected turn recently with Florence Welch’s shout-out to Aby Warburg’s unique book classification system – and Apollo’s roving correspondent couldn’t be happier https://t.co/iDcNhWHCqu
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🎨 This week's cover showcase goes to @Apollo_Magazine for their masterclass in colour! 📖 The November 2025 cover features Woman with Flower (1969) by Romare Bearden. 👀 Browse the Apollo archive on Exact Editions.
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‘His paintings neither appropriate nor mimic the work of the artists he loved but somehow revitalise them.’ As the first show dedicated to his work in Europe opens, Ben Street looks at Bob Thompson’s inspired ad-libbing on the Old Masters
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The November issue of Apollo is out now, featuring the all-new Studio Museum in Harlem, how John Constable ploughed his own furrow, Tilda Swinton as a work of art, the best museum in Paris you’ve never heard of, and much more… https://t.co/iUuHdc5vFC
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A survey of the moving-image work of Stan Douglas ‘prompts us to question the veracity of what we’re seeing, often by revealing what we do not’, writes Robert Rubsam
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‘If this sounds like financial macramé, that’s because it is’ – Jane Morris on the problem with the guarantees that underwrite auction sales
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By partnering with LG, Do Ho Suh has created an installation that breathes fresh life into the ink paintings of his father, Suh Se Ok https://t.co/ExvIij59El
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Marthe Donas’s time at the heart of European modernism was brief, but she forged her own path and influenced the male artists with whom she often exhibited, writes Juliet Jacques
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Satyajit Ray seemed almost as comfortable in front of a camera as behind it – and in Nemai Ghosh he had the ideal photographer, writes Abhrajyoti Chakraborty
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The Bard Graduate Center proves that there is a piece of Sèvres porcelain to suit every occasion, be it formal, serious or silly, writes Rachel Hunter Himes
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The monumental religious paintings Hogarth made for St Bartholomew’s Hospital, which have recently been restored, reveal the satirist’s excellent bedside manner, writes Kirsten Tambling
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The move of the Fondation Cartier to the heart of Paris mirrors the rise of powerful private foundations. As museums struggle to keep up, Catherine Bennett considers the changing balance between public and private interests in France
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Baroque feasts for the senses, Hugh Hayden’s absurdist Americana and Joan Jonas’s fluid approach to art forms are some of London’s more enticing offerings outside the Frieze tent this weekend
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The colourful myths of Bob Thompson, the home truths of Zofia Rydet and some radically slim pickings at Senate House Library are some of London’s more enticing offerings outside the Frieze tent this weekend
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