๐โคAn โlga า๐ Whole ๐โค
@AnalogWhole
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Galactic harp. Film-maker obsessed with patterns, perception, iridescence, information and complexity. ๐งญ Interintellect host.
Vienna, Austria
Joined March 2021
I'm developing a film called "The User Illusion": a psychological thriller about love, death, and the malleability of reality. Took me almost 2 years to write the first draft, which my script advisor (a no-nonsense film professional with a bg in philosophy) read this morning. ๐ซจ
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This basketball-court-transformer pen is still as impressive to me now as it was when I got it in the late 1990s (somehow I didnโt lose the balls). Maybe unthinkable now, given choking hazards and other concerns? But what a great little design!
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@AnalogWhole For others wondering if it's worth their while: Blind homeless jazz viking builds log house in NY woods dragging logs with head to retreat to and compose when not busking. That's dedication and will power.
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Things Iโll talk about, from my journey as first-time feature writer/director in Europe: - writing/directing 101 resources - film school - film markets - script labs/competitions - international coproductions: why & how? Right now making films in Europe is cheaper than in the US.
Event alert:๐ข@michaelsonnensc and I are running an @interintellect_ salon about film production. Michael is an accomplished writer and US film industry insider, and I'll be sharing my journey of directing and producing my debut feature in Europe. Join us!
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@gptbrooke @TheAnnaGat please retweet, if you donโt mind. :-)
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๐ San Francisco: I will be in you in October! Arriving 8th, departure unknown. Coming to California for a script lab in Idyllwild, then to SF straight after. Iโm decidedly unAmerican and would love company. Iโm a film writer/director working on a really cool project, HMU!
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Iโm on an island with a multimillenial ceramics tradition and I just bought this little pig. Itโs so wrong and yet so right: the smiley-face snout, ๐งฟ eyes, apparent skeuomorphic slot (canโt even fit a 1p coin!), unnecessary buttholeโฆ ๐ค
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โ 3: One of the traits of Kubrick's mastery is his flexibility of style: he never did the same thing twice, and this approach applied to cinematography as much as anything else. He also liked Kafka. Here's a snippet about both of these features:
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Sentence from a pre-1920 book Iโm reading: โSome one unknown dedicated a perpetually burning lamp in a little shrine at Nemi for the safety of the Emperor Claudius and his family.โ Iโm entranced by the โsome oneโ instead or โsomeoneโ: immediately there is individuation.
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Physicist Richard Taylor analyzed Pollockโs paintings and found that they had consistent fractal qualities in certain dimensions. Pollock successfully embedded his self into paintings like any other artist.
@evans_cn A matter of opinion, but one interesting note is thatโin a recent scandal of AbEx forgeriesโPollock was the only artist that couldn't be forged effectively. Rothko and Motherwell were easily forged, but all of the fake Pollock's were fairly obviously "off" to an informed eye.
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Years later, I was working as an editor at a corporate location. I was in charge of capturing footage through a variety of feeds, including this fiber one. 720x576. I just about managed to catch the end of this display before the official meeting kicked in. This footage is almost
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Of the thousands of hours of footage I've captured and processed, here are my favourite 8 seconds. I fainted once years ago when getting my blood taken. The phlebotomist kept missing the vein, and by 3rd attempt, I had hyperventilated myself into dizziness. A perfect little
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The wind-shaped music is so striking. All those whorls of motion of gnats and dust in the air.
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Been preoccupied with Vivaldi's Summer and Winter from Four Seasons. Both strike me as shockingly modern; could've been written 300 years later. I thought, what's up with the violent summer? Turns out, summer in 1720s Italy was brutal. Based on sonnets supposedly written by V:
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Dorothy, Duchess of Wellington as Hecate, Mrs Michael Balcon as Minerva, Eileen Hunter as Dido, self portrait.
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More Yevonde. Vivian Leigh, Dorothy Gisborne, Dorothy Emily Evelyn (nรฉe Whittall), Lady Campbell as Niobe, Dorothy Emily Evelyn (nรฉe Whittall), Lady Campbell as Niobe.
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Genuine colour photos (aside from the B&W solarised portrait of Judi Dench, ca. 1961) by Madame Yevonde, taken around 1932-1940.
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The other day @AnnaLeptikon & I had near-identical encounters in different cities- she in Vienna, I in London. A smiling Jehovaโs Witnesses asked if we wanted to hear the wisdom of Jesus Christ. We both responded with โyes!โ, enthusiastically agreed with the passage the JW read
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@RichDecibels all organisms and ecosystems start out in the hole, from acorns to embryos, and yet we have oaks and elephants!
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@ulkar_aghayeva @TheAnnaGat pls repost, I messed up the tweet and re-did it. >_>
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