Alex Stoyanov
@AlexSt0yanov
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Blackmagic Design - Regional Sales Manager E.Europe
Sofia Bulgaria
Joined November 2015
Two-person VFX team delivers 125 shots for WWII epic A World Divided: global set extensions, period cleanups, atmospherics + nuclear blast—all in Fusion with templating & automation magic. https://t.co/mih7qn2GjE
#VFX #Fusion #DaVinciResolve #IndieVFX #WWII
digitalproduction.com
Fusion Studio powered 125 historical VFX shots for A World Divided, delivered by a two-person team under episodic deadlines.
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8 game-changing lessons for stop-motion animation from Luis Grolez's Nescafé Kuwait campaign:Shoot video-style on PYXIS 6K,build orbital rigs,prioritize continuity, fix green screen fails. https://t.co/FrkgWXylZN
#StopMotion #Animation #DaVinciResolve #NescaféKuwait #Filmmaking
creativebloq.com
Tips gleaned from inside the Nescafé Kuwait campaign.
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SE 2026 highlight: Blackmagic URSA Cine Immersive—dual 8K sensors + custom lenses for stereoscopic 180° immersive capture.Full workflow explained for Apple Vision Pro delivery.Next-level spatial cinema! #BlackmagicDesign #URSACineImmersive #AppleVisionPro
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“I've always loved film's look—so I wanted instinctive exposure.”Ben Saffer on shooting To Fly or Float with URSA Cine 17K 65 in 8K open gate: digital 65mm intimacy + sculptural depth. Film soul in a modern beast! #URSAcine17K #BlackmagicDesign #65mm
https://t.co/b5pVW0CGVT
digitalcameraworld.com
This is what a 17K camera, capturing 8K open gate video to shoot digital 65mm, looks like. The cinematographer of 'To Fly or Float' shares his experience shooting Blackmagic
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Colorist James Willett grades Apple Immersive Video in DaVinci Resolve:node-based HDR workflow,parallax-safe masks,dynamic range finesse for Vision Pro. Learn VR-specific techniques. https://t.co/0hxzMfCGMm
#DaVinciResolve #AppleImmersive #VisionPro #ColorGrading #SpatialVideo
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Winners and losers share one trait: they stepped forward—the real failure is never entering the arena. #Leadership #Sales #Broadcast #MondayMotivation
https://t.co/ItMcK2mZlJ via @LinkedIn
linkedin.com
In enterprise broadcast and media, the real divide isn’t between those who win and those who lose.It’s between those who step forward and those who stay comfortably uninvolved.
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One-person post-production on low-budget feature? Ben Allan did it for "The Holy Scoundrel":AI Voice Isolation+proxies+integrated workflow=creative freedom & speed.Low-budget experimentation wins! #DaVinciResolve #PostProduction #LowBudgetFilm #IndieFilm
https://t.co/qWxftZatBf
newsshooter.com
The incredible value of low-budget films as a means to experiment is at least as powerful in post-production as it is on set. As I discussed in a past
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Introducing Ultimatte Smart Remote 4 G2 Lower cost. Modern connectivity. Same broadcast-grade control. Now featuring: ✔ USB-C (5Gbps) front & rear ✔ HDMI output for flexible monitoring ✔ Easy preset management & updates #Broadcast #LiveProduction #VirtualProduction #MediaTech
Introducing Ultimatte Smart Remote 4 G2! Updated model has similar features, but is easier to manufacture so it’s priced at a lower cost. Also includes modern USB-C and HDMI ports. Only US$2,325, excluding duties.
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Don't lose your Resolve work!Blackmagic's quick tutorial:Backup&restore local project libraries+set auto-saves/backups.Crucial before updates or new systems.Protect against data loss—do this now!🔥 https://t.co/AFFaKQ51cD
#DaVinciResolve #BackupTips #PostProduction #VideoEditing
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URSA Cine 12K LF vs PYXIS 12K: same 12K RGBW sensor & 16-stop DR = near-identical images.But two DPs diverge—Florent Piovesan loves PYXIS mobility;Kofi Yeboah favors URSA's infrastructure & readout. #BlackmagicDesign #URSAcine12K #Pyxis12K
https://t.co/6uwcD7JQqB via @Y_M_Cinema
ymcinema.com
An educational comparison of the Blackmagic URSA Cine 12K LF and PYXIS 12K, exploring image parity and workflow differences.
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Come and see us at SXSW 2026! Join us at booth 110 in the Manchester Ballroom at Fairmont Austin Hotel, Texas from the 16th to 18th of March for live demonstrations of Blackmagic PYXIS 12K, Blackmagic URSA Cine Immersive, DaVinci Resolve 20 and more! Register now at
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https://t.co/Tej0VNORoH explains ST-2110 like you're telling a 6-year-old: chop video/audio into puzzle pieces, add time stamps so they reassemble perfectly—no drift! Low-latency magic over IP. Simple genius. 🎥 #ST2110 #IPBroadcast #LowLatency
https://t.co/VwXz9rN6qz
obe.tv
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