The Adelaide Review
@AdelaideReview
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South Australia’s leading independent source of social, cultural and political analysis and review.
Adelaide
Joined November 2010
"When Mark Jamieson began publishing The Adelaide Review from 13 Hindley Street in 1984 it is unlikely he envisaged a legacy lasting 488 editions and nearly four decades." Farewell to The Adelaide Review, 1984-2020: https://t.co/zxG6a7Frj4
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Our 488th and final edition hits the streets today, and it’s one we’re very proud of. It’s a little retrospective, a little reflective, and full of South Australian stories. Read online: https://t.co/NasF9Sja9n
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North Adelaide’s Piccadilly Cinemas has lived through times of war, recession, home video and Netflix. It has now spent much of its 80th year closed or half-empty, but not even a pandemic can dim the magic. https://t.co/LC6BEjhqRg
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For his final #DrawnToTheCity column, Leo Greenfield decided to profile the small team that puts our magazine together each month: https://t.co/rSQ7lToFll
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As questions around sustainability, native plants and knowledge intersect with broader conversations around sovereignty and decolonisation, a small farming start-up in the north of Kaurna Yerta is putting people and soil first. https://t.co/LXvpZlF7jl
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"So what now? Are we condemned to an eternity of intercol football, mega-utes and shiny new petrol stations? Endless photo ops for the Suits? The unholy communion of politics and populist media. People need proper dreams, visions, alternatives, analysis." https://t.co/vRr6HwIt7q
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Warrick Duthy and Nicola Palmer have just re-opened the historic Watervale Hotel, using their strong Clare Valley pedigrees to imbue the place with all that is good from the region. https://t.co/x1WJE8mizP
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"The status of ‘informed opinion’ or the ‘art critic’ is increasingly questioned in an era where one opinion looks as good as another." https://t.co/8vfSHsYjsX
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Little-known fact: @AdelaideReview was actually the first professional publication to ever feature my work. A short story, when I was 21. It was a huge thrill and I believe I was paid $150. Which was also a thrill.
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My last ever column for @TheAdelaideReview is now online. Beer and Other Sins began as a study of people, drinking culture and the neighbourhoods around Adelaide. It ends, perhaps appropriately, with a toast to the publication that made it possible. https://t.co/IyKWWGdosx
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And for anyone interested, The @AdelaideReview is carrying my first stab at literary criticism with a review of Out of Copley Street by poet and Adelaide icon Geoff Goodfellow -- online only. https://t.co/R95ZR6nZv1
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“It’s an act of reclamation, an act of preservation.” In a poignant and expansive new book of stories and recipes, @Durkhanai Ayubi shows how each dish at Parwana Afghan Kitchen is steeped in centuries of history and exchange:
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"Strange Ways highlights Anne Wallace’s contribution to contemporary Australian art and helps mark her place in its history." @AdelaideReview on @UniversitySA Samstag Scholar ahead of Anne Wallace: Strange Ways opening at Samstag on 16 October. https://t.co/9pxkq3Bmaf
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This was absolutely a labour of love: everyone knew 90s Adelaide guitar-wrangling indie kids the Mandelbrot Set should have been huge, so why weren't they? I attempt to find out in my last feature for the @AdelaideReview
https://t.co/iYYWXy3aYl
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Some news from us – after nearly 37 years The Adelaide Review will publish its final, 488th edition at the end of September. https://t.co/2q9Ef0xgAO
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