ANRT_type
@ANRT_type
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Former account of Atelier National de Recherche Typographique (ANRT), closed in Nov. 2024
Nancy, France
Joined February 2014
After more than a year of near silence, @ANRT_type will no longer post content on this platform. Thank you for these exchanges; you can find us elsewhere, like on Mastodon or stay updated by subscribing to our newsletter. đ.
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RT @PEROUparis: Le Navire Avenir dans l'exposition Babel Heureuse ? de Barbara Cassin, en collaboration avec @ANRT_type dont les Ă©tudiantsâŠ.
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RT @biblissima: đLaurĂ©at 2024, « Transcrire la lĂ©gende du sceau mĂ©diĂ©valâ: Concevoir un outil typographique pour lâanalyse, la transcriptioâŠ.
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RT @grafematik_conf: 48 high-quality submissions to the 2024 /gÊafematik/ conference have been accepted. Here is the full list, which is alâŠ.
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Next week, donât miss Morgane Pierson presenting her work and research projects conducted @ANRT_type !.
Next Monday, July 15, join us online for the next Lubalin Lecture Series talk with Morgane Pierson
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RT @StanfordPACS: DCSL Postdoctoral Fellow Anushah Hossain presented her research on Unicode and OpenType, considering their design principâŠ.
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Anushah Hossainâs talk @ANRT_type, .A Joint History of Unicode and OpenType: From Design Principles to Implications is online on our website (along with many more contents):. @sei_berkeley .@unicode .#TheMissingScripts.
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Anushah Hossain (Berkeley UC) is talking @ANRT_type Nancy:.A Joint History of Unicode and OpenType: From Design Principles to Implications
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Tonight June 3rd, 5PM @ANRT_type .Anushah HOSSAIN.@sei_berkeley .A Joint History of Unicode and OpenType: From Design Principles to Implications
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Join us at 5PM CEST today to attend Oreen Yousuf @oreenyousuf talk,.Digital Typography for Indigenous African Scripts.Introduced by Anushah Hossain @sei_berkeley .LIVESTREAM (and recording) :.
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RT @oreenyousuf: I'll be giving an in-person talk on African Scripts at Atelier national de recherche typographique (@ANRT_type) on ThursdaâŠ.
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RT @poem_editions: The essay *History through design: potential and objectives of reviving ancient typefaces* by Alexis Faudot & Rafael RibâŠ.
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RT @mitpress: How do you build a computer system when your language has tens of thousands of characters and no alphabet? @tsmullaney discusâŠ.
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A lire de toute urgence:.
#VendrediLecture đ Lâ@Ecoledeschartes-@psl_univ publie une nouvelle Ă©dition mise Ă jour et corrigĂ©e du livre «La vĂ©ridique histoire de lâarobase» (collection «Propos»), par Marc H. Smith, professeur de palĂ©ographie. Acheter lâouvrage âĄ
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đ.
Yet more of Typography papers now online! We are pleased to make available PDF files of articles from volumes 1, 2, 3, and 4 of Typography papers:
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RT @incunabula: THE AFRICAN BOOK.Africa has the oldest and most diverse book culture of any continent. Here, in a dozen tweets, is why. OnâŠ.
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Pika Pika !.JournĂ©e de confĂ©rences autour des signes au Japon au Centre national du graphisme de Chaumont @leSigne_cng avec une passionnante confĂ©rence de Ămilie Rigaud @a_is_for_fonts
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ANRT 2022-2024 Final presentations.Thursday, March 21th, 2024.ENSAD Nancy.Jury: Lisa Huang, Laure Giletti, SĂ©bastien Morlighem. 4:30 PM â Kaveh Ashourinia: Proto-Elamite, a typographical revival of an ancient .script (EN).Livestream:
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