The World Expo in Osaka, Japan is open! . @doneanddustedtv @FosterPartners @Journeydotworld . #WorldExpoOsaka #WorldExpoJapan #SaudiArabiaPavilion

59 Productions has been officially re-named 59 Studio, a reflection of our focus on the specialised design and creative services of our in-house studio team: skilled, interdisciplinary artists, designers, animators, architects, writers, directors, producers and technologists.

After several months of curatorial development, script writing and design work, the piece was put together in the show space at @_LightRoomLDN , with the component parts layered together during extensive technical rehearsals. All Images courtesy of Justin Sutcliffe.

Our new show VOGUE: Inventing the Runway opened this week! Working alongside Vogue and their archives of both the magazine and the fashion houses, 59’s team wove together a visual story that traces the evolution of the fashion show from its earliest days right up to present.

We brought our spatial design expertise to The Pit Wall to evoke a fully immersive experience. To achieve this, we projected archival footage across multi-layered surfaces, using a mix of rear projection and Gauze panels to surround the audience.

For our video design for Revolution by Design, we created a sequence of animated graphics to support the story of the objects found in this room. The sole purpose was to explain these complicated innovations in a universal way that could be understood by existing and new F1 fans.

We designed two rooms for the @F1Exhibition.now open at @ExCeLLondon.- Revolution by Design, a space that explores some of the groundbreaking revolutions in F1. - The Pit Wall, the final lap of the exhibition where audiences find themselves track-side.

Not too long ago, our co-founder @markgrimmer gave a TED Talk in Vancouver. Mark reflected on both his and 59's story and how we're always striving to create hybrid forms of storytelling. @TEDTalks . Photo Credit: Jasmina Tomic & Gilberto Tadday

There's a week to go to apply for our Project Manager and Design Manager positions here at 59. You can find all the information at the links to our website below.

We're at the half-way stage for our seven new positions at 59. Find out everything you need to know at our website: 

If you have experience in Video Design & Animation or Spatial Design & Architecture and are looking to build on your specialisms, we would love to hear from you. Applications close at 9am on Monday, 30th September 2024.

We are looking for Designers and Senior Designers to join our interdisciplinary studio and build on 59's design expertise. Applications close at 9am on Monday, 30th September 2024.

We are looking for new Creative/Design Directors at 59 - in Video Design & Animation and Spatial Design & Architecture. Applications close at 9am on Monday, 30th September 2024.

We're looking for a Creative Director (Projects) to lead multiple projects from within our portfolio. More information on this role can be found at our website. Applications close at 9am on Monday, 30th September 2024.

There's a week to go until we close applications for this this Executive Assistant role. Please get in touch if you feel that your or anyone else could be suited to this position.

Two new positions to 59’s core team - Project Manager and Design Manager, represent an exciting new period of growth for the company. Applications for both close on 25th September at 10am. Project Manager: Design Manager:

We are looking for an Executive Assistant to the Founder and CEO AT 59, playing a key role in the business-critical coordination and administration of their time. Applications close midday on Wednesday 11th September, 2024. You can find out more here:

Stranger Things: The First Shadow is heading to Broadway next year and so is our video design! The show will arrive in theatres March 2025.

"The show involved making projection-mapped elements on the big inflatable structures in the middle of the stadium, running all the content on the LED screens, running the materials on the audience pixels, but also making direct to broadcast, full-frame content.".

There had to be a sense of clarity that we maintained throughout everything we did. "Anywhere that we found a gap or there seemed to be a dramaturgical opportunity, we just grabbed it. It was about finding the storytelling opportunities that we could grab hold of.".