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The Credits

@TheCredits

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The leading source for in-depth interviews with below-the-line filmmakers, first looks at new movies and series, and more — courtesy of @motionpictures.

Joined July 2012
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@TheCredits
The Credits
1 hour
From the Winter Soldier to Gotham's shadows—Sebastian Stan is in talks to join Matt Reeves' "The Batman: Part II" alongside Robert Pattinson. The MCU star could reunite with Scarlett Johansson in the highly secretive sequel. Who will he play? https://t.co/e8tg8xBoN9
motionpictures.org
From the Winter Soldier to Gotham's shadows—Sebastian Stan is in talks to join Matt Reeves' "The Batman: Part II" alongside Robert Pattinson.
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@TheCredits
The Credits
23 hours
100 stunt actors. 40 MPH FPV drones. A 400x300-foot set. #StrangerThings cinematographer Caleb Heymann reveals how Season 5's most ambitious sequences were shot with practical effects and massive built environments. #StrangerThings5 https://t.co/Vioo4mYu0F
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motionpictures.org
100 stunt actors. 40 MPH FPV drones. A 400x300-foot set. "Stranger Things" DP Caleb Heymann on practical magic on set in season 5.
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@TheCredits
The Credits
1 day
New maid. Satanic building. Human sacrifices. Bad idea to mess with Zazie Beetz. The first trailer for Kirill Sokolov's "They Will Kill You" (produced by #IT's Andy Muschietti) is delightfully deranged. #TheyWillKillYouMovie https://t.co/ou5bTPCWnR
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motionpictures.org
New maid. Satanic building. Human sacrifices. Bad idea to mess with Zazie Beetz.
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@TheCredits
The Credits
1 day
"When you lose connection with nature, there's conflict." #Avatar: Fire and Ash breakout star Oona Chaplin opens up about playing the franchise's most captivating antagonist, Varang, reforesting projects in the Amazon & treating life as an art form. https://t.co/LyIvnZg1OV
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motionpictures.org
"Avatar: Fire and Ash" star Oona Chaplin on embodying the captivating villain Varang, her environmental activism & life on a 20-acre farm.
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@TheCredits
The Credits
2 days
"The day I got the script, I got a phone call from Daniel saying, 'I'm ready to talk.'" Costume designer Jenny Eagan on crafting Benoit Blanc's '70s Yves Saint Laurent look for Rian Johnson's "Wake Up Dead Man." https://t.co/fvNnXhbPl1
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motionpictures.org
"The day I got the script, I got a phone call from Daniel saying, 'I'm ready to talk,'" says "Wake Up Dead Man" costume designer Jenny Eagan.
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@TheCredits
The Credits
2 days
Oscar-winning production designer Nathan Crowley reveals how he created the anti-gravity architecture of Kiamo Ko and foraged forests for Elphaba's nest in "Wicked: For Good." https://t.co/fAKHK1VSYp
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motionpictures.org
Oscar winner Nathan Crowley on creating the anti-gravity architecture of Kiamo Ko and foraged forests for Elphaba's nest.
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@TheCredits
The Credits
2 days
Paul Thomas Anderson's #OneBattleAfterAnother has a big night at the #CriticsChoiceAwards, as does Ryan Coogler's #SinnersMovie. Here's a look at the big moments and all the winners: https://t.co/1pWWsADwhr
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motionpictures.org
A few battles have already been won for writer/director Paul Thomas Anderson.
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@TheCredits
The Credits
3 days
Production designer Florencia Martin built entire buildings, underground tunnels, and secret escape hatches for PTA's three-hour action epic "One Battle After Another." From El Paso to the California redwoods, she reveals her process. #BestOf2025 https://t.co/l4HO5SeEGE
motionpictures.org
Production designer Florencia Martin built a 60-foot hand-hewn escape tunnel for PTA's masterpiece.
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@TheCredits
The Credits
4 days
Ryan Coogler calls #SinnersMovie a renewal of his vows to cinema. In this conversation, he discusses Louisiana's creative energy, how Kathryn Bigelow's "Near Dark" shaped the film, and how he built another unforgettable cultural moment. #BestOf2025 https://t.co/yfuHucjCTd
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motionpictures.org
"This movie was like me renewing my vows to cinema," says Ryan Coogler about making his masterpiece, "Sinners."
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@TheCredits
The Credits
5 days
"The Pitt" writers Cynthia Adarkwa and Valerie Chu: "A writer's room is part debate club and part therapy." How they crafted TV's best medical drama by tracking patients hour-by-hour and subverting disability tropes. #BestOf2025 https://t.co/xIfwAOz7LB
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motionpictures.org
"The Pitt" writers Valerie Chu and fellow writer Cynthia Adarkwa take us inside the writer's room of the best medical drama in years.
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@TheCredits
The Credits
6 days
"Alien: Earth" cinematographer and director Dana Gonzalez on turning a Barry Lyndon party into a Xenomorph slaughter: "I wanted it to be the Last Supper that a Xenomorph destroyed." How he brought cinema's most iconic monster to TV. #BestOf2025 https://t.co/nDnfxKWjBs
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motionpictures.org
"Alien: Earth" cinematographer/director Dana Gonzalez reveals the painstaking work of updating and improving the Xenomorph for TV.
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@TheCredits
The Credits
7 days
Jennifer Lawrence and Robert Pattinson on Lynne Ramsay's "Die My Love": "Everything to Grace was very real, so to me, everything was real." How becoming real-life parents shaped their performances in this haunting psychological thriller. #BestOf2025 https://t.co/R2WwfwxXZd
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motionpictures.org
"She feels like a trapped animal." Jennifer Lawrence & Robert Pattinson on portraying a relationship's deterioration in Lynne Ramsay's
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@TheCredits
The Credits
8 days
#Wicked & #WickedForGood screenwriter Dana Fox on adapting the Broadway phenomenon: "Can she do anything besides levitate? Does she need a spell?" How she and Winnie Holzman world-built Oz for Jon M. Chu's two-film epic. #BestOf2025 https://t.co/qM1Y6sZl6V
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motionpictures.org
"I told him I will drop anything, anytime for you," said "Wicked" screenwriter Dana Fox about leaping aboardJon M. Chu's two-part adaptation.
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@TheCredits
The Credits
8 days
#WickedForGood director Jon M. Chu: "The more culturally specific your films are, the more universal they are." Chu discusses finding his voice after "Now You See Me 2" and why on-screen representation matters most. #BestOf2025 https://t.co/fBveqdHfXH
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motionpictures.org
The acclaimed director opens up about overcoming industry fears and embracing his identity as a storyteller.
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@motionpictures
Motion Picture Association
9 days
The Credits recaps 2025 with in-depth interviews with some of the leading lights in entertainment, including below-the-line filmmakers, TV creators, and a whole lot more – all giving you a sneak peek behind-the-scenes of how your favorite movies and shows come to life. All
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@TheCredits
The Credits
9 days
The first female DP to shoot on IMAX, Autumn Durald Arkapaw reveals how she captured "Sinners'" iconic Juke Joint sequence in one day—three stitched Steadicam shots that span Black music's entire continuum—a masterclass in cinematography. #BestOf2025 https://t.co/HpW76GGPbP
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motionpictures.org
"I was there every day, with my eye on the eyepiece, and I truly felt we were making something special, something rare and important."
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@TheCredits
The Credits
9 days
Ryan Coogler on "Sinners": "This was like me renewing my vows to cinema." The director discusses Louisiana's creative rhythm, Kathryn Bigelow's "Near Dark" influence, and crafting yet another massive cultural moment. #BestOf2025 https://t.co/yfuHucjCTd
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motionpictures.org
"This movie was like me renewing my vows to cinema," says Ryan Coogler about making his masterpiece, "Sinners."
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@TheCredits
The Credits
10 days
CONFIRMED: Chris Evans returns to the MCU as Steve Rogers in "Avengers: Doomsday"—and no, the trailer does NOT say "Captain America." The Russo Brothers' epic reunion now pits Evans against Robert Downey Jr.'s Dr. Doom. https://t.co/2bFWPu6gD8
motionpictures.org
Chris Evans returns as Steve Rogers—married, with a baby, but notably NOT called Captain America
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@TheCredits
The Credits
11 days
Stunt coordinator Garrett Warren, editor Stephen Rivkin, and VFX supervisor Richard Baneham reveal the practical filmmaking magic behind James Cameron's "Avatar: Fire and Ash." https://t.co/wG1vQGaEKz
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motionpictures.org
"These films are purely driven by actors," says Oscar-nominated editor Stephen Rivkin about James Cameron's "Avatar" franchise.
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@TheCredits
The Credits
12 days
Production designer Florencia Martin built Sensei's (Benicio Del Toro) apartment practically—with working trapdoors, hand-hewn tunnels, and secret escape hatches —constructing PTA's "One Battle After Another" from the ground up. #BestOf2025 https://t.co/VQXYKSOhyA
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motionpictures.org
Production designer Florencia Martin built a 60-foot hand-hewn escape tunnel for PTA's masterpiece.
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