Liminal.

~ the simple rhythm of just being here ~ #artflair #artisticspill #artstudios #artistsoninstagram #fineart #visualart #soloexhibition #abstractpainting #artworkofday #artexhibition #artistsofinstagram #artexploration #artphotography #artphoto #artistandart #creativejourney #art

(Un)Becoming Fibreglass, Stone L - 100 x H - 75 x W - 40 in Forms thrust out of fractured earth, scarred, eroded, shaped by time and pressure. There is no return to unity. Each piece holds its own history, its own purpose. A body as landscape, silent and weighted, bearing

(Un)Mapped Wood, Brass, Stone, Fibreglass, Iron L - 154 x H - 77 x W - 11.5 in A grid of compartments. A timeline without order. Fragments held together, yet refusing to cohere. Not an archive, but a container of contradictions. An unfinished structure, an open ending. #artshow

The Precipice of Becoming Wood, Stone, Iron, Fibreglass, Stainless Steel L - 45 x H - 32 x W - 35 inches Cantilevered on stone, this table-sculpture rests in suspension, refusing full stability. The rock anchors it as a foundation of endurance, while the surface above leans out

Exhibition stills from Silhouettes of Shards, curated by Manan Shah at LTC Bikaner House. #artexhibition #soloartexhibition #artshows #fineart #visualart #soloexhibition #artexhibitions #art #bikanerhouse #soloshow

Exhibition Catalogue Silhouettes of Shards, curated by Manan Shah A glimpse into the pages that hold the fragments, forms, and stories from the exhibition. Designed by @_mor.of.ash__ #catalgoue #artcatalogue #artexhibition #soloartexhibition #artshows #fineart #visualart #solo

Over days and weeks, “Silhouettes of Shards”, curated by Manan Shah, found its meaning in the people who stepped into it. Every visit, every conversation, every spark of curiosity breathed more life into the work. Grateful for the energy, the love, and the memories that will out

Installation views from Silhouettes of Shards, currently on view at LTC, Bikaner House, New Delhi. Spanning canvases, fragmented drawings, and sculptures, the exhibition moves through cycles of rupture, residue, and reconstruction. The works are positioned in conversation with

Join us at the walkthrough of Silhouettes of Shards, a solo exhibition by Palak Modi curated by Manan Shah, on 8th August at 5 PM at LTC, Bikaner House. An opportunity to engage with the works, the ideas behind them, and the space they inhabit. All are welcome. The exhibition

Palak Modi (@_palakmodi), is a visual artist based in New Delhi, India. With an academic background in Psychology, she brings a nuanced understanding of trauma, memory, and transformation to her deeply introspective visual language. Curated by Manan Shah (@manan.shah__),

Preview Night at Silhouettes of Shards, curated by Manan Shah, at LTC Bikaner House. Beyond thankful for the love, curiosity, and conversation shared that night. The exhibition will be on view until 10th August, 2025. #soloartexhibition #artshows #fineart #visualart #solo

Silhouettes of Shards, curated by Manan Shah opens tomorrow at LTC, Bikaner House.

Silhouettes of Shards, curated by Manan Shah, opens this Saturday at Bikaner House. In the exhibition "Silhouettes of Shards," Palak Modi subtly nudges the audience, prompting a gaze beyond immediate circumstances that might seem unfavourable. Preview: 2nd August | 6–9 PM

Silhouettes of Shards emerged slowly through years of quiet making, undoing, and beginning again. It carries the weight of what I’ve lived through, but also the quiet persistence of returning to the studio, over and over again. This is not a loud body of work, but it asks

The countdown has begun — six days to go. And honestly, I don’t know how to explain this liminal space I’m in. The work is done, but never really done. The mind is full but still racing. There’s dust on the floor, images being framed, files being exported, calls being made - and

A small window into my practice - how it begins, how it moves, and what it asks of me. These are the thoughts that sit behind the work. The quiet beginnings, the urgency, the mess, the need. Nothing is mapped out in advance — it begins in the body, in friction, in silence, in

I’ve been working on this body of work for the last three years — through recovery, relearning, and the quiet work of putting myself back together. It’s grown alongside everything I’ve lived and everything I’ve lost. This is the most personal work I’ve made. And now, it’s almost

It’s strange how we expect things to stay the same. But everything shifts — sometimes slowly, sometimes all at once. I’ve been thinking a lot about that space in between — the quiet turning points that shape everything after. Lately, that’s where the work has been living too.

Some days are simply about stepping away and taking a breath. Other days, the only way through is to keep working, keep making. Most of the time, it’s a mix — a little fear, a little courage, and the quiet decision to keep going anyway. This one’s for those in-between moments.