e_flux Profile Banner
e-flux Profile
e-flux

@e_flux

Followers
105K
Following
942
Media
9K
Statuses
23K

e-flux is an international art network reaching more than 100,000 visual arts professionals

New York
Joined December 2008
Don't wanna be here? Send us removal request.
@e_flux
e-flux
8 months
EDITORS' LETTER: If art history is “ghost stories for grown-ups,” as Aby Warburg claims, then the most enduring works of art might be those that cannot easily be recuperated into our existing versions of reality, write the editors of e-flux Criticism. https://t.co/ZXRpX6ORec
0
1
12
@e_flux
e-flux
9 months
Malik Nejmi examines the nuanced connections between architecture and cultural memory in working-class French communities. For Océane Ragoucy, this solo show points to new ways of thinking about conservation. https://t.co/1dWk2mL4LN
0
0
9
@e_flux
e-flux
9 months
“Electric Dreams: Art and Technology Before the Internet” reveals a period in which developments in computing foreshadowed the world of instant communication, ubiquitous surveillance, and intelligent machines in which we now live, writes Brian Dillon. https://t.co/kqti8jF37f
Tweet card summary image
e-flux.com
Imagine a historical juncture when machines promised to annex much tedious labor, manual or mental; to gather and strew the vast array of human kno
1
5
27
@e_flux
e-flux
10 months
Shortlisted artists and curators for the Australian Pavilion at the 2026 Venice Biennale call for the reinstatement of artist Khaled Sabsabi and curator Michael Dagostino. https://t.co/83ZTf8b4HR
e-flux.com
As the shortlisted artists and curators for the Australian Pavillion at the 2026 Venice Biennale, we are writing in support of the winning team; Khaled Sabsabi (artist) and Michael Dagostino (curat...
0
1
7
@e_flux
e-flux
10 months
e-flux Criticism editors' letter: If works of art might be understood as "telegrams," carrying information from different times and places that might help us to understand our own, then what messages have we missed? https://t.co/YTilQ0xyFl
Tweet card summary image
e-flux.com
The art historian Thierry de Duve has characterized Marcel Duchamp’s Fountain as a “telegram” sent out in 1917 and only properly received
0
3
10
@e_flux
e-flux
10 months
Thotti reviews two Carlito Carvalhosa retrospectives in São Paulo. https://t.co/dpMoSzD723
Tweet card summary image
e-flux.com
Thotti reviews two Carlito Carvalhosa retrospectives in São Paulo.
0
0
5
@e_flux
e-flux
10 months
Cihad Caner attempts to reconstruct a collective understanding of the 1972 anti-immigration riots in Rotterdam's Afrikaanderwijk neighborhood, writes Musoke Nalwoga, tracing the influence of these events into the present. https://t.co/lSvA3jdqtd
Tweet card summary image
e-flux.com
In August 1972, a Turkish landlord evicted a Dutch woman living in the Afrikaanderwijk neighborhood of Rotterdam. This event became the trigger for
0
1
4
@e_flux
e-flux
10 months
Sean O’Toole profiles the multi-disciplinary artist Nolan Oswald Dennis, a self-described “un-South African South African” whose richly layered work draws its speculative reach from science fiction. https://t.co/T6b0ZHBfyM
Tweet card summary image
e-flux.com
Over the past three years, Nolan Oswald Dennis has gained significant international recognition, showcasing their diagrammatic and collaborative pr
0
0
3
@e_flux
e-flux
10 months
Published late last year, Rachael Rakes’s profile of the great American painter Jo Baer (who passed away this month, aged 95) outlined the course of a pioneering career from the early abstract works through to the “radical figuration” of latter decades. https://t.co/391dK04Xdc
Tweet card summary image
e-flux.com
Jo Baer nicknamed the five large-scale abstract paintings that compose “The Risen” (1960/61–2019) series her “zombie” works. Despite livin
0
0
3
@e_flux
e-flux
10 months
ikkibawiKrrr's solo exhibition at Art Sonje Center takes visitors on a trip through geologic time, writes Hallie Ayres, that redraws the evolutionary boundaries between organic life and the "inert" mineral world. https://t.co/xPp0d1x9eL
Tweet card summary image
e-flux.com
Robert Hazen outlined the theory that the mineralogy of planets and moons evolves as a direct result of interactions with life.
0
5
8
@e_flux
e-flux
10 months
A well-intentioned attempt to redress the dehumanization of disabled people in a royal collection risks reinscribing the prejudice it attempts to dismantle, writes Kenny Fries. https://t.co/uvTt8JA9tV
Tweet card summary image
e-flux.com
Many museum exhibitions—and re-hangings of permanent collections—have in recent years aimed to address legacies of colonialism, as well as outdated
0
0
3
@e_flux
e-flux
11 months
That art criticism operates on a slower timeframe than our hyper-accelerated news cycle is sometimes a cause of frustration, write the editors, but might also be the great advantage of the form. https://t.co/volXieTnX4
Tweet card summary image
e-flux.com
Art criticism operates with a time lag. If you accept that art is shaped by the historical contexts in which it is made, then the critic must alway
0
1
5
@e_flux
e-flux
11 months
A retrospective group show of four Bali-based artists who lived and worked together in the 1990s reveals the strange, fascinating fruits of their collective dreaming, writes Adeline Chia.
Tweet card summary image
e-flux.com
Collectives have played an influential role in the history of Indonesian art, from the 1930s, when the twenty-member PERSAGI, or Persatuan Ahli-Ahl
1
1
8
@e_flux
e-flux
11 months
Stephanie Bailey finds that the seventh edition of Jaou Tunis—a biennale staged across the Tunisian capital—highlights the transformative power of defiance and posits resistance as an expression of both love and creativity. https://t.co/fS2BeMb4Ex
Tweet card summary image
e-flux.com
If there was one exhibition that tapped into the Tunisian zeitgeist during Jaou, the contemporary art biennial organized in Tunis by the Kamel Laza
0
0
6
@e_flux
e-flux
1 year
Crystal Bennes admires Lebanese artist Mohamad Abdouni’s photography-based practice, which draws attention to the way that normative conceptions of masculinity are constructed in order to challenge persistent stereotypes. https://t.co/nZXxNaXlRB
Tweet card summary image
e-flux.com
“I’ve always been obsessed with losing my memory because it’s something that runs in my family,”
1
0
1
@e_flux
e-flux
1 year
Amid a widespread rise in anti-immigration politics, Francis Alÿs's recent body of work -- focused around children and the Strait of Gibraltar -- simultaneously presents populist ideology and strips it away, writes Alan Gilbert. https://t.co/6v5YyUhDyf
0
0
3
@e_flux
e-flux
1 year
e-flux journal issue 150 is out now! with Mi You, Danilo Scholz, Jacob Dreyer, Max Grünberg, Dingxin Zhao, Aiwen Yin and Yiren Zhao, and Aslak Aamot Helm. https://t.co/c5dhVMuxmF
Tweet card summary image
e-flux.com
with contributions by Mi You, Danilo Scholz, Jacob Dreyer, Max Grünberg, Dingxin Zhao, Yin Aiwen, Yiren Zhao, Aslak Aamot Helm
0
0
12
@e_flux
e-flux
1 year
This Jakarta Biennale focuses on issues of land use and ecological crisis that are unavoidable in the city, writes Innas Tsuroiya. Yet its lasting contribution might be in proposing a future for radical artistic practice outside metropolitan centers. https://t.co/WV4k6YgxCX
Tweet card summary image
e-flux.com
Every so often in its fifty-year history, the Jakarta Biennale has catalyzed a shift (the 1974 Indonesian New Art Movement started as a protest aga
0
1
1
@e_flux
e-flux
1 year
Isabel Jacobs reports from the first London-based festival celebrating Armenian cinema. https://t.co/xr5X51AkB3
Tweet card summary image
e-flux.com
Isabel Jacobs reports from first London-based festival celebrating Armenian cinema.
0
0
1